How to storytell

From Crossing the Sacred Sea [Cruzando el mar sagrado] by Nathan A. Strait

  1. (2018) Rediscovering the potential of indigenous storytelling for conservation practice [d]
  2. (2018) Visual storytelling with color and light [i]
  3. (2018) Charles Johnson: The art of fiction No. 239 [u]
  4. (2018) Once upon a spacetime: visual storytelling in cognitive and geotemporal information spaces [d]
  5. (2018) Elena Poniatowska: The art of fiction No. 238 [u]
  6. (2018) Elements of surprise: our mental limits and the satisfactions of plot [i]
  7. (2017) Script as a hypothesis: scriptwriting for documentary film [d]
  8. (2017) A most improbable journey: a big history of our planet and ourselves [i]
  9. (2017) The Narrative-Emotion Process Coding System 2.0: a multi-methodological approach to identifying and assessing narrative-emotion process markers in psychotherapy [p] [d]
  10. (2017) Spark curiosity [u]
  11. (2017) True south: Henry Hampton and 'Eyes on the prize', the landmark television series that reframed the civil rights movement [i]
  12. (2017) Once upon an algorithm: how stories explain computing [i]
  13. (2017) Novel math: great literature is surprisingly arithmetic [d]
  14. (2017) The art of creative research: a field guide for writers [i]
  15. (2017) 7 ways to plant the seed of your story [u]
  16. (2017) What editors do: the art, craft, and business of book editing [i]
  17. (2017) The form of the story: measuring formal aspects of narrative activity in psychotherapy [p] [d]
  18. (2017) Walk with me [o] [u]
  19. (2017) Write no matter what: advice for academics [i]
  20. (2017) Narrative of the annotated space–time cube: revisiting a historical event [d]
  21. (2017) Because without cause: non-causal explanation in science and mathematics [i] [d]
  22. (2017) Design is storytelling [i]
  23. (2017) Maps telling stories? [d]
  24. (2017) Self-narrative reconstruction after dilemma-focused therapy for depression: a comparison of good and poor outcome cases [p] [d]
  25. (2017) A robust preference for cheap-and-easy strategies over reliable strategies when verifying personal memories [p] [d]
  26. (2017) Narration as argument [i] [d]
  27. (2017) Not so very bad beginnings: what fiction can teach lawyers about beginning a persuasive legal narrative before a court [u]
  28. (2017) Keeping the faith [u]
  29. (2017) A mega-analysis of memory reports from eight peer-reviewed false memory implantation studies [p] [d]
  30. (2017) Does reactivation trigger episodic memory change?: a meta-analysis [p] [d]
  31. (2017) Find your why: a practical guide for discovering purpose for you and your team [i]
  32. (2017) Uses of oral history and digital storytelling in public health research and practice [p] [d]
  33. (2017) 21st-century narratives of world history: global and multidisciplinary perspectives [i] [d]
  34. (2017) Evidence of disturbances of deep levels of semantic cohesion within personal narratives in schizophrenia [p] [d]
  35. (2017) Constructing emotion through simulation [d]
  36. (2017) A synoptic visualization framework for the multi-perspective study of biography and prosopography data [u]
  37. (2017) The act of documenting: documentary film in the 21st century [i]
  38. (2016) Grasping the mechanisms of narratives' incoherence in schizophrenia: an analysis of the temporal structure of patients' life story [p] [d]
  39. (2016) A methodology of loving kindness: how interpersonal neurobiology, compassion and transference can inform researcher–participant encounters and storytelling [d]
  40. (2016) Screenwriting studies, screenwriting practice and the screenwriting manual [d]
  41. (2016) Reading pictures for story comprehension requires mental imagery skills [p] [d]
  42. (2016) The Chicago guide to fact-checking [i]
  43. (2016) Don't get lost in your own story [u]
  44. (2016) Explication as a method of conceptual re-engineering [d]
  45. (2016) Narrative and emotion integration processes in emotion-focused therapy for complex trauma: an exploratory process-outcome analysis [d]
  46. (2016) Big history: examines our past, explains our present, imagines our future [i]
  47. (2016) Disaster drawn: visual witness, comics, and documentary form [i]
  48. (2016) Pondering quirky quandaries [writing advice] [u]
  49. (2016) The evolution of pace in popular movies [d]
  50. (2016) Narrative theory and the dynamics of popular movies [d]
  51. (2016) How to tell when it's time to move beyond the editing stage [u]
  52. (2016) The explanation frame [i]
  53. (2016) From PGIS to participatory deep mapping and spatial storytelling: an evolving trajectory in community knowledge representation in GIS [d]
  54. (2016) One mechanism, many models: a distributed theory of mechanistic explanation [d]
  55. (2016) Fatal fictions: crime and investigation in law and literature [i] [d]
  56. (2016) Memoir ethics: good lives and the virtues [i]
  57. (2016) The creative system in action: understanding cultural production and practice [i] [d]
  58. (2016) Where to invade next [o] [u]
  59. (2016) The From Here to There (FHT) model of human development [u]
  60. (2016) How does a story start? [u]
  61. (2016) Script development and the hidden practices of screenwriting: perspectives from industry professionals [d]
  62. (2016) At land's end: novel spaces and the limits of planetarity [d]
  63. (2016) Remembering northern Michigan author Jim Harrison [u]
  64. (2016) When stories and numbers meet in court: constructing and explaining Bayesian networks for criminal cases with scenarios [i] [u]
  65. (2016) Fast forward: the future(s) of the cinematic arts [i]
  66. (2015) Physics and narrative [i] [d]
  67. (2015) From mechanisms to mathematical models and back to mechanisms: quantitative mechanistic explanations [i] [d]
  68. (2015) Generalizing mechanistic explanations using graph-theoretic representations [i] [d]
  69. (2015) Deep maps and spatial narratives [i]
  70. (2015) What can measures of text comprehension tell us about creative text production? [p] [d]
  71. (2015) Explanation in biology: an enquiry into the diversity of explanatory patterns in the life sciences [i] [d]
  72. (2015) Optimal eventfulness of narratives [i] [d] [u]
  73. (2015) Action starring narratives and events: structure and inference in visual narrative comprehension [d]
  74. (2015) Lydia Davis: The art of fiction No. 227 [u]
  75. (2015) Enriching self-narratives: advanced phases of treatment [i]
  76. (2015) Creating comics as journalism, memoir and nonfiction [i]
  77. (2015) The planetary turn: relationality and geoaesthetics in the twenty-first century [i]
  78. (2015) From stories to scientific models and back: narrative framing in modern macroscopic physics [d]
  79. (2015) Getting a life takes time: the development of the life story in adolescence, its precursors and consequences [d]
  80. (2015) 'All the world's a stage': a GIS framework for recreating personal time-space from qualitative and quantitative sources [d]
  81. (2015) Black atlas: geography and flow in nineteenth-century African American literature [i] [d]
  82. (2015) Is there an explanation for... the diversity of explanations in biological studies? [i] [d]
  83. (2015) Story credibility in narrative arguments [i] [d]
  84. (2015) Storyboarding: a critical history [i] [d]
  85. (2015) Is truth stranger than fiction?: bizarre details and credibility assessment [d]
  86. (2015) Tall tales across time: narrative analysis of true and false allegations [d]
  87. (2015) Telling a story that must be heard: participatory indicators as tools for community empowerment [d]
  88. (2015) Teaching big history [i] [j]
  89. (2015) Systems thinking for social change: a practical guide to solving complex problems, avoiding unintended consequences, and achieving lasting results [i]
  90. (2015) Deconstructing pathology: a narrative view of the intake process [d]
  91. (2015) Clinical perspectives on autobiographical memory [i] [d]
  92. (2015) Algorithmic authors [d]
  93. (2015) GIS as a narrative generation platform [i]
  94. (2014) Smartphone screenwriting: creativity, technology, and screenplays-on-the-go [i] [d]
  95. (2014) Mobile media making in an age of smartphones [i] [d]
  96. (2014) Arguments as a new perspective on character motive in stories [d]
  97. (2014) What's the story: essays about art, theater and storytelling [i]
  98. (2014) The witch-hunt narrative: politics, psychology, and the sexual abuse of children [i] [d]
  99. (2014) Argument diagramming and planning cognition in argumentative writing [o] [u]
  100. (2014) 'Nature was helping us': forests, trees, and environmental histories of the Holocaust [d]
  101. (2014) Do biological explanations of psychological difficulties reduce empathy in mental health professionals? [u]
  102. (2014) Start me up: lean screenwriting for American entrepreneurial cinema [d]
  103. (2014) More than pretty pictures?: how illustrations affect parent–child story reading and children's story recall [p] [d]
  104. (2014) Dynamic publication formats and collaborative authoring [i] [d]
  105. (2014) Issue-relevant thinking and identification as mechanisms of narrative persuasion [d]
  106. (2014) Ethical darkness made visible: Michael Moore's Roger and me [i] [d]
  107. (2014) Citation alone doesn't make the argument [u]
  108. (2014) Where do cinematic ideas come from? [d]
  109. (2014) Screenwriting in a digital era [i] [d]
  110. (2014) Curiosity's cats: writers on research [i]
  111. (2014) Where are you from?: place as a form of scripting in independent cinema [d]
  112. (2014) Fluent selves: autobiography, person, and history in lowland South America [i]
  113. (2014) Changing the clinical narratives patients live by: a cognitive behavioral approach of a clinical case of paruresis [d]
  114. (2014) The web, the tree, and the string [i]
  115. (2014) Narrative CBT: distinctive features [i]
  116. (2014) Ambivalence in emotion-focused therapy for depression: the maintenance of problematically dominant self-narratives [d]
  117. (2014) Viajes: de la Amazonia a las Malvinas [i]
  118. (2014) Beyond news: the future of journalism [i] [d]
  119. (2014) Towards (re)constructing narratives from georeferenced photographs through visual analytics [d]
  120. (2014) 'A story is not a story but a conference': story conferences and the classical studio system [d]
  121. (2014) Collective interviewing: a transactive memory approach towards identifying signs of truthfulness [d]
  122. (2014) Is this testimony truthful, fabricated, or based on false memory?: credibility assessment 25 years after Steller and Köhnken (1989) [d]
  123. (2014) Dramatic circumstances: on acting, singing, and living inside the stories we tell [i]
  124. (2014) Understanding with theoretical models [d]
  125. (2013) Value creation and business models: refocusing the intellectual capital debate [d]
  126. (2013) The screenwriter activist: writing social issue movies [i]
  127. (2013) Overlap your stories [u]
  128. (2013) Breaking new ground: a personal history [i]
  129. (2013) Restorying a hard day's work [i] [d]
  130. (2013) Whatever next?: predictive brains, situated agents, and the future of cognitive science [and comments and reply] [d]
  131. (2013) Prediction, events, and the advantage of agents: the processing of semantic roles in visual narrative [d]
  132. (2013) Visual narrative structure [d]
  133. (2013/2015) Four fields [i]
  134. (2013) Opening the closed mind: the effect of exposure to literature on the need for closure [d]
  135. (2013) Centering Anishinaabeg studies: understanding the world through stories [i]
  136. (2013) Diagrammatic writing [d] [u]
  137. (2013) Imagination of science in education: from epics to novelization [i] [d]
  138. (2013) It is value that brings universes into being [d] [u]
  139. (2013) Writing science in plain English [i]
  140. (2013) Narrative, truth, and trial [u]
  141. (2013) Change your story, change your life: a path to your success [i]
  142. (2013) Being story [u]
  143. (2013) Therapist stories of inspiration, passion, and renewal: what's love got to do with it? [i]
  144. (2013) John Dewey and the ethics of historical belief: religion and the representation of the past [i]
  145. (2013) Similarity, causality and argumentation [i]
  146. (2013) Just write [u]
  147. (2013) Power stories: the 8 stories you must tell to build an epic business [i]
  148. (2013) The therapeutic effects of narrative cinema through clarification: reexamining catharsis [d]
  149. (2013) Good prose: the art of nonfiction [i]
  150. (2013) Strategies of visual argumentation in slideshow presentations: the role of the visuals in an Al Gore presentation on climate change [d]
  151. (2013) Remembering your (im)moral past: autobiographical reasoning and moral identity development [d]
  152. (2013) More on how and why: cause and effect in biology revisited [d]
  153. (2013) Building great sentences: how to write the kinds of sentences you love to read [i]
  154. (2013) Ursula K. Le Guin: The art of fiction No. 221 [u]
  155. (2013) The impact of subtitles on comprehension of narrative film [d]
  156. (2013) StoryFlow: tracking the evolution of stories [d]
  157. (2013) Native Americans on film: conversations, teaching, and theory [i]
  158. (2013) Structure: the writing life [u]
  159. (2013) Performance and cross-racial storytelling in post-Katrina New Orleans: interviews with John O'Neal, Carol Bebelle, and Nicholas Slie [d]
  160. (2013) New narratives using conversational sculptures [3D models of conversation] [u]
  161. (2013) The design and composition of persuasive maps [d]
  162. (2013) Philosophy versus literature?: against the discontinuity thesis [d]
  163. (2013) Teleology, discontinuity and world history: periodization and some creation myths of modernity [d]
  164. (2013) The foolscap method [u]
  165. (2013) Storygraph: telling stories from spatio-temporal data [i] [d]
  166. (2013) Constraints on localization and decomposition as explanatory strategies in the biological sciences [d]
  167. (2013) How to write productively [u]
  168. (2013) Authoring personal histories: exploring the timeline as a framework for meaning making [i] [d]
  169. (2013/2017) Writing without a parachute: the art of freefall [i]
  170. (2013) The reflexive turn: the rise of first-person ethnography [d]
  171. (2013) Methods of argumentation [i] [d]
  172. (2013) Simulation and similarity: using models to understand the world [i]
  173. (2013) Sister: an African American life in search of justice [i]
  174. (2013) Essentialism in biology [i] [d]
  175. (2013) On polycubism: outlining a dynamic information visualization framework for the humanities and social sciences [u]
  176. (2013) Building imaginary worlds: the theory and history of subcreation [i]
  177. (2013) Intrinsic default mode network connectivity predicts spontaneous verbal descriptions of autobiographical memories during social processing [d]
  178. (2012) Living into the story: agency and coherence in a longitudinal study of narrative identity development and mental health over the course of psychotherapy [d]
  179. (2012) Writing to clients and referring professionals about psychological assessment results: a handbook of style and grammar [i]
  180. (2012) The influence of paratext on narrative persuasion: fact, fiction, or fake? [d]
  181. (2012) Teaching contested narratives: identity, memory, and reconciliation in peace education and beyond [i] [d]
  182. (2012) Fuzzy reasoning [d]
  183. (2012) Photographic representation and depiction of temporal extension [d]
  184. (2012) Understanding autobiographical memory: theories and approaches [i] [d]
  185. (2012) Solving a murder case by asking critical questions: an approach to fact-finding in terms of argumentation and story schemes [d]
  186. (2012) Burdens and standards of proof for inference to the best explanation: three case studies [d]
  187. (2012) Newspaper journalism and video: motion, sound, and new narratives [d]
  188. (2012) Distinguishing explanatory from nonexplanatory fictions [d]
  189. (2012) Don't put 'story' on too high a pedestal [u]
  190. (2012) Talk to the eyes: if it can't be visualized, it's not a story [u]
  191. (2012) History from within?: contextualizing the new neurohistory and seeking its methods [d]
  192. (2012) A drawing of the world: documentary and comic book [u]
  193. (2012) Pixar tips: 'Brave' artist Emma Coats shares her storytelling wit and wisdom on Twitter [u]
  194. (2012) Charismatizing the routine: storytelling for meaning and agency in the Burning Man organization [d]
  195. (2012) Life without the story line [i]
  196. (2012) Developing an integrated history and future of people on earth (IHOPE) [d]
  197. (2012) Wired for story: the writer's guide to using brain science to hook readers from the very first sentence [i]
  198. (2012) Perceiving event dynamics and parsing Hollywood films [d]
  199. (2012) Ethical considerations of using narrative to communicate science [d]
  200. (2012) The persuasive influence of narrative causality: psychological mechanism, strength in overcoming resistance, and persistence over time [d]
  201. (2012) Serene arts: the effect of personal unsettledness and of paintings' narrative structure on personality [d]
  202. (2012) Vernacular eloquence: what speech can bring to writing [i]
  203. (2012) Writing scripts for silent movies: how officer experience and high-crime areas turn innocuous behavior into criminal conduct [u]
  204. (2012) To make you see: screenwriting, description and the lens-based tradition [d]
  205. (2012) The storytelling animal: how stories make us human [i]
  206. (2012) The evolving narrative of the Darfur conflict as represented in The New York Times and The Washington Post, 2003–2009 [d]
  207. (2012) The forest unseen: a year's watch in nature [i]
  208. (2012) The story of Earth: the first 4.5 billion years, from stardust to living planet [i]
  209. (2012) Changing beliefs and behavior through experience-taking [d]
  210. (2012) Imagining the forest: narratives of Michigan and the Upper Midwest [i]
  211. (2012) Care and possibility: enacting an ethic of care through narrative practice [d]
  212. (2012) Art of explanation: making your ideas, products, and services easier to understand [i] [u]
  213. (2012) Landscapes and narratives: compositions and the walking body [d]
  214. (2012) Grant Snider, remarkable cartoonist, and future orthodontist [u]
  215. (2012) Exploiting the e-serialization of nano-fiction to enhance undergraduate health and safety lectures: a back to the future perspective [d]
  216. (2012) Contextual frames and their argumentative implications: a case study in media argumentation [d]
  217. (2012) Techniques of grief therapy: creative practices for counseling the bereaved [i]
  218. (2012) The cognitive science of fiction [d]
  219. (2012) Against Hollywood: American independent film as a critical cultural movement [d] [u]
  220. (2012) Turning anxiety into creativity [u]
  221. (2012) Fractal journeys: narrative structure of the path and of tantric practice [u]
  222. (2012) Finding 'real' [u]
  223. (2012) Inside the 'all is lost' moment [u]
  224. (2012) Something unique to say [u]
  225. (2012) Peak oil and the everyday complexity of human progress narratives [u]
  226. (2012) How to see a world in a grain of sand: transmedia production bibles as middle-state forms [u]
  227. (2012) Beyond the screenplay: a dialectical approach to dramaturgy [i]
  228. (2012) Winning the story wars: why those who tell—and live—the best stories will rule the future [i]
  229. (2012) Finding new facts; thinking new thoughts [i]
  230. (2012) Lead with a story: a guide to crafting business narratives that captivate, convince, and inspire [i]
  231. (2012) 'I am the person now I was always meant to be': identity reconstruction and narrative reframing in therapeutic community prisons [d]
  232. (2012) Achieving psychological simplicity: measures and methods to reduce cognitive complexity [i] [d]
  233. (2012) Narrating the environmental apocalypse: how imagining the end facilitates moral reasoning among environmental activists [d]
  234. (2012) The creative screenwriter: exercises to expand your craft [i]
  235. (2012) Story similarity in arguments from analogy [d] [u]
  236. (2012) Blame narratives and the news: an ethical analysis [d]
  237. (2011/2017) The new digital storytelling: creating narratives with new media [i]
  238. (2011) Working with narrative in emotion-focused therapy: changing stories, healing lives [i]
  239. (2011) A story about a stupid person can make you act stupid (or smart): behavioral assimilation (and contrast) as narrative impact [d]
  240. (2011) The calling card script: a writer's toolbox for stage, screen and radio [i]
  241. (2011) Stereoscopic-3D storytelling: rethinking the conventions, grammar and aesthetics of a new medium [d]
  242. (2011) Movies that move us: screenwriting and the power of the protagonist's journey [i]
  243. (2011) When what had to happen was not bound to happen: history, chance, narrative, evolution [d]
  244. (2011) Linguistic correlates of self in deceptive oral autobiographical narratives [d]
  245. (2011) Arguments, stories and criminal evidence: a formal hybrid theory [i] [d]
  246. (2011) Narrative and emotion integration in psychotherapy: investigating the relationship between autobiographical memory specificity and expressed emotional arousal in brief emotion-focused and client-centred treatments of depression [d]
  247. (2011) Find the 'universal morality' in your case story [u]
  248. (2011) Your opening: tell it like a story, but tailor it like a strategy [u]
  249. (2011) Narrative, emotion, and insight [i]
  250. (2011) TextFlow: towards better understanding of evolving topics in text [d]
  251. (2011) Explanation, prediction, and confirmation [i] [d]
  252. (2011) Breaking addiction: a 7-step handbook for ending any addiction [i]
  253. (2011) Hindsight bias, visual aids, and legal decision making: timing is everything [d]
  254. (2011) William Gibson: The art of fiction No. 211 [u]
  255. (2011) The role of mutual in-feeding in maintaining problematic self-narratives: exploring one path to therapeutic failure [d]
  256. (2011) Debt: the first 5,000 years [i]
  257. (2011) Story line: finding gold in your life story [i]
  258. (2011) Autobiographical reasoning: arguing and narrating from a biographical perspective [i] [d]
  259. (2011) Storycraft: the complete guide to writing narrative nonfiction [i]
  260. (2011) Authorial ethics: how writers abuse their calling [i]
  261. (2011) Slowmation: preservice elementary teachers representing science knowledge through creating multimodal digital animations [d]
  262. (2011) 'Bet you think this song is about you': whose narrative is it in narrative research? [u]
  263. (2011) Narrative in the teaching and practice of conflict analysis, transformation, and peacebuilding [i]
  264. (2011) Visual storytelling: inspiring a new visual language [i]
  265. (2011) Toward an integrated history to guide the future [d]
  266. (2011) Constructing stories of self-growth: how individual differences in patterns of autobiographical reasoning relate to well-being in midlife [d]
  267. (2011) The gardens of democracy: a new American story of citizenship, the economy, and the role of government [i]
  268. (2011) Narrative therapy [i]
  269. (2011) Emotion and narrative fiction: interactive influences before, during, and after reading [d]
  270. (2011) Narrative nonfiction: essential or overrated? [u]
  271. (2011/2016) A workbook for arguments: a complete course in critical thinking [i]
  272. (2011) Such stuff as dreams: the psychology of fiction [i]
  273. (2011/2013) The getaway car: a practical memoir about writing and life [i]
  274. (2011) Doubling back: psychoanalytical literary theory and the perverse return to Jungian space [u]
  275. (2011) Coherence of personal narratives across the lifespan: a multidimensional model and coding method [p] [d]
  276. (2011) A dynamic look at narrative change in psychotherapy: a case study tracking innovative moments and protonarratives using state space grids [d]
  277. (2011) The Oxford handbook of oral history [i] [d]
  278. (2011) The power of your past: the art of recalling, reclaiming and recasting [i]
  279. (2011) The constructive use of film genre for the screenwriter: the relevant knowledge component of the mental space of film genre [d]
  280. (2011) Becoming planetary [d]
  281. (2011) What makes a journalist?: story by an Amazon field volunteer [u]
  282. (2011) The brain is wider than the sky: analogy, emotion, and allegory [d]
  283. (2011) The right to play oneself: looking back on documentary film [i]
  284. (2011) Knowledge-telling and knowledge-transforming arguments in mock jurors' verdict justifications [d]
  285. (2011) Science as (historical) narrative [d]
  286. (2011) Storyworld: the bigger picture—investigating the world of multi-platform/transmedia production and its affect on storytelling processes [d]
  287. (2010) Storytelling globalization from the Chaco and beyond [i]
  288. (2010) Ray Bradbury: The art of fiction No. 203 [u]
  289. (2010) Acting as narrative [i]
  290. (2010) Integrated socio-ecological history: could looking at the past help direct society's future? [u]
  291. (2010) The role of causality in information acceptance in narratives: an example from science communication [d]
  292. (2010) Comic book visualities: a methodological manifesto on geography, montage and narration [d] [j]
  293. (2010) Understanding characters [d]
  294. (2010) Louise Erdrich: The art of fiction No. 208 [u]
  295. (2010) Hindsight: the promise and peril of looking backward [i]
  296. (2010) Review of 'Screenwriting: history, theory and practice' by Steven Maras [d]
  297. (2010) Finding our story: narrative leadership and congregational change [i]
  298. (2010) Writing in the life sciences: a critical thinking approach [i]
  299. (2010) The cinematic mirror for psychology and life coaching [i] [d]
  300. (2010) Deleuze, style and literature [d]
  301. (2010) The process [of scriptwriting] [u]
  302. (2010) A narrative policy framework: clear enough to be wrong? [d]
  303. (2010) Trauma and the media: how movies can create and relieve trauma [i] [d]
  304. (2010) The relation of story structure to a model of conceptual change in science learning [d]
  305. (2010) Some epistemological implications of economic complexity [d]
  306. (2010) Place-based narratives: an entry point for ministry to the soul of a community [i]
  307. (2010) The ambiguities of experience [i]
  308. (2010) Framed ink: drawing and composition for visual storytellers [i]
  309. (2010) John McPhee: The art of nonfiction No. 3 [u]
  310. (2010) After the typewriter: the screenplay in a digital era [d]
  311. (2010) Exploring the role of meaningful experiences in users' appreciation of good movies [d]
  312. (2010) On telling the whole story: facts and interpretations in autobiographical memory narratives from childhood through midadolescence [d]
  313. (2010) Developing moral agency through narrative [d]
  314. (2010) The call of passive history [u]
  315. (2010) Stages in screenplay development [i]
  316. (2010) The land of the free and The elements of style [d]
  317. (2010) Geoscience explanations: identifying what is needed for generating scientific narratives from data models [d]
  318. (2010) Meanwhile [i]
  319. (2010) You can do a graphic novel [i]
  320. (2010) Explanatory depth [d]
  321. (2010) The brain's cutting-room floor: segmentation of narrative cinema [d]
  322. (2009) Blendings of real, fictional, and other imaginary people [d]
  323. (2009) Simulation, situated conceptualization, and prediction [d]
  324. (2009) Narrative development in improvisational theatre [i] [d]
  325. (2009) Analysing stories using schemes [i]
  326. (2009) Living in history: how war, terrorism, and natural disaster affect the organization of autobiographical memory [d]
  327. (2009) A place in biography for oneself [d]
  328. (2009) Measuring narrative engagement [d]
  329. (2009) Foreshadowing contemporary digital cartography: a historical review of cinematic maps in films [d]
  330. (2009) Mapping globalization: a conversation between a filmmaker and a cartographer [d]
  331. (2009) Life as a source of theory: Erik Erikson's contributions, boundaries, and marginalities [i] [d]
  332. (2009) Hermeneutic analysis of virtuous exemplar narratives of Cambodian-American Buddhists and Christians [d]
  333. (2009) Defenseless against art?: impact of reading fiction on emotion in avoidantly attached individuals [d]
  334. (2009) The dramatic writer's companion: tools to develop characters, cause scenes, and build stories [i]
  335. (2009) Creativity and integrity: marketing the 'in development' screenplay [d]
  336. (2009) Directing the story: professional storytelling and storyboarding techniques for live action and animation [i]
  337. (2009) Basic elements of narrative [i]
  338. (2009) Legal evidence and proof: statistics, stories, logic [i]
  339. (2009) Looking at the present through the future: science-fiction urbanism and contingent and relational creativity [i] [d]
  340. (2009) Integrated writing environment [u]
  341. (2009) Writing like a programmer [u]
  342. (2009) The process of personal change through reading fictional narratives: implications for psychotherapy practice and theory [d]
  343. (2009) Thinking and working in the midst of things: discovery, explanation, and evidence in comparative politics [i] [d]
  344. (2009) Genocide and GIScience: integrating personal narratives and geographic information science to study human rights [d]
  345. (2009) Screenwriting: history, theory and practice [i]
  346. (2009) Maps as comics, comics as maps [o] [u]
  347. (2009) Listening for avoidance: narrative form and defensiveness in adolescent memories [d]
  348. (2009) Sharing one's story: on the benefits of writing or talking about emotional experience [i] [d]
  349. (2009) Developmental editing: a handbook for freelancers, authors, and publishers [i]
  350. (2009) Information recall of Internet news: does design make a difference?: a pilot study [u]
  351. (2009) The narratives of offenders [d]
  352. (2009) Write what you don't know [u]
  353. (2009) 50 years of stupid grammar advice [u]
  354. (2009/2016) The subversive copy editor: advice from Chicago (or, How to negotiate good relationships with your writers, your colleagues, and yourself) [i]
  355. (2009) Every patient tells a story: medical mysteries and the art of diagnosis [i]
  356. (2009) Transmedia storytelling: implicit consumers, narrative worlds, and branding in contemporary media production [u]
  357. (2009/2010) In praise of the guilty project: a criminal defense lawyer's growing anxiety about innocence projects [u]
  358. (2009) Reading stories activates neural representations of visual and motor experiences [d]
  359. (2009) Drawn to life: 20 golden years of Disney master classes [i]
  360. (2009) Coping through emotional approach: emerging evidence for the utility of processing and expressing emotions in responding to stressors [i] [d]
  361. (2009) Family legacies: constructing individual and family identity through intergenerational storytelling [d]
  362. (2009) Explanations in gesture, diagram, and word [i] [d]
  363. (2009) Explaining human actions and environmental changes [i]
  364. (2009) Accepting the truth of a story about the facts of a criminal case [i]
  365. (2009) Dialogical journal writing as 'self-therapy': 'I matter' [d]
  366. (2008) Advanced presentations by design: creating communication that drives action [i]
  367. (2008) The narrative reconstruction of psychotherapy and psychological health [d]
  368. (2008) Your screenplay sucks!: 100 ways to make it great [i] [u]
  369. (2008) Jacob's well: a case for rethinking family history [i]
  370. (2008) The shut up and shoot documentary guide: a Down & dirty DV production [i]
  371. (2008) Meta-emotion: how films and music videos communicate emotions about emotions [d]
  372. (2008) Handbook of research on writing: history, society, school, individual, text [i]
  373. (2008) Humor in the advertising business: theory, practice, and wit [i]
  374. (2008) Animation unleashed: 100 principles every animator, comic book writer, filmmaker, video artist and game developer should know [i]
  375. (2008) Rethinking news and myth as storytelling [i]
  376. (2008) Poetics of cinema [i]
  377. (2008) Fictionality and perceived realism in experiencing stories: a model of narrative comprehension and engagement [d]
  378. (2008) Production culture: industrial reflexivity and critical practice in film and television [i]
  379. (2008) Native speakers: Ella Deloria, Zora Neale Hurston, Jovita González, and the poetics of culture [i]
  380. (2008) Slide:ology: the art and science of creating great presentations [i]
  381. (2008) Stories in GeoTime [d]
  382. (2008) Producing with passion: making films that change the world [i]
  383. (2008) Understanding children's books: a guide for education professionals [i]
  384. (2008) The levity effect: why it pays to lighten up [i]
  385. (2008) Keep it real: everything you need to know about researching and writing creative nonfiction [i]
  386. (2008) Healing fictions: stories as obstacles and gateways [i]
  387. (2008) Mediation and genre [d]
  388. (2008) Text as it happens: literary geography [d]
  389. (2008) Mean and lowly things: snakes, science, and survival in the Congo [i]
  390. (2008) Akira Kurosawa: interviews [i]
  391. (2008/2014) Working with stories in your community or organization: participatory narrative inquiry [i] [u]
  392. (2008) Geo-narrative: extending geographic information systems for narrative analysis in qualitative and mixed-method research [d] [u]
  393. (2008) The function of fiction is the abstraction and simulation of social experience [d]
  394. (2008) What's your story?: storytelling to move markets, audiences, people, and brands [i]
  395. (2008) Stories of the young and the old: personal continuity and narrative identity [d]
  396. (2008) Narration and vividness as measures of event-specificity in autobiographical memory [d]
  397. (2008) Framing the days: place and narrative in cartography [d]
  398. (2008) Awareness and authoring: the idea of self in mindfulness and narrative therapy [d]
  399. (2008) The continuous present in Ozu Yasujirō's Late spring [d]
  400. (2008) Reading our lives: the poetics of growing old [i] [d]
  401. (2008) Mike Leigh on Mike Leigh [i]
  402. (2008) Presentation Zen: simple ideas on presentation design and delivery [i]
  403. (2008) The nonfictionist's guide: on reading and writing creative nonfiction [i]
  404. (2008) Liberating voices: a pattern language for communication revolution [i]
  405. (2008) Presidential charismatic leadership: exploring the rhetoric of social change [d]
  406. (2008) The common neural basis of autobiographical memory, prospection, navigation, theory of mind, and the default mode: a quantitative meta-analysis [d]
  407. (2008) One Native life [i]
  408. (2008) Argumentation schemes [i] [d]
  409. (2008) Witness testimony evidence: argumentation, artificial intelligence, and law [i] [d]
  410. (2007) Truth: personas, needs, and flaws in the art of building actors and creating characters [i]
  411. (2007) Story telling in sustainable development projects [d]
  412. (2007) Therapeutic storytelling revisited [p] [u]
  413. (2007) Comparing narrative and expository text construction across adolescence: a developmental paradox [d]
  414. (2007) Sense-making software for crime investigation: how to combine stories and arguments? [d]
  415. (2007) Adding silence to stories: narrative therapy and contemplation [d]
  416. (2007) Storytelling, time, and evolution: the role of strategic leadership in complex adaptive systems [d]
  417. (2007) Puzzle them first!: motivating adolescent readers with question-finding [i]
  418. (2007) Project hindsight: exploring necessity and possibility in cycles of structuration and co-evolution [d]
  419. (2007) Cartographic cinema [i]
  420. (2007) The secret language of leadership: how leaders inspire action through narrative [i]
  421. (2007) Recentering North American environmental history: pedagogy and scholarship in the Great Lakes region [d]
  422. (2007) Interview with Toc Fetch [u]
  423. (2007) Making a performance: devising histories and contemporary practices [i]
  424. (2007) Storytelling as a medium for balanced dialogue on conservation in Cameroon [d]
  425. (2007) Made to stick: why some ideas survive and others die [i]
  426. (2007) Using narratives to assess competencies and risks in young children: experiences with high risk and normal populations [d]
  427. (2007/2012) Voice & vision: a creative approach to narrative film and DV production [i]
  428. (2007) Getting things written [u]
  429. (2007) Thinking animation: bridging the gap between 2D and CG [i]
  430. (2007) The ethical attitude in narrative research: principles and practicalities [i]
  431. (2007) The meaning of others: narrative studies of relationships [i]
  432. (2007) From prophets to profits: the occupational rhetoric of management consultants [d]
  433. (2007) The power of story: rewrite your destiny in business and in life [i]
  434. (2007) Write is a verb: sit down, start writing, no excuses [i]
  435. (2007) The emergence of the ability to track a character's mental perspective in narrative [d]
  436. (2007/2009) The invisible cut: how editors make movie magic [i]
  437. (2007) Dialogue editing for motion pictures: a guide to the invisible art [i]
  438. (2007) How to write a lot: a practical guide to productive academic writing [i]
  439. (2007) Whoever tells the best story wins: how to use your own stories to communicate with power and impact [i]
  440. (2007) Leading for results: transforming teaching, learning, and relationships in schools [i]
  441. (2007) Finding narratives of time and space [i]
  442. (2007) Scriptwriting [i]
  443. (2007) Reframing rhetoric: a liberal politics without dogma [i] [d]
  444. (2006) Storylines as a neglected cause of crime [d]
  445. (2006) Ecoscapes: geographical patternings of relations [i]
  446. (2006) Questions of character: illuminating the heart of leadership through literature [i]
  447. (2006) Placebo, meaning, and health [d]
  448. (2006) The way Hollywood tells it: story and style in modern movies [i]
  449. (2006) Older adults who overcame oppression [d]
  450. (2006) The mechanism of storymaking: a grounded theory study of the 6-part story method [d]
  451. (2006) Making meaning: how successful businesses deliver meaningful customer experiences [i]
  452. (2006) The music of form: rethinking organization in writing [j]
  453. (2006) Metaphor interpretation as embodied simulation [d]
  454. (2006) What is a good death?: terminally ill patients dealing with normative expectations around death and dying [d]
  455. (2006) Reading cinnamon activates olfactory brain regions [d]
  456. (2006) Storytelling: a workshop for inspiring group action [i]
  457. (2006) Germs and angels: the role of testimony in young children's ontology [d]
  458. (2006) Selling your story in 60 seconds: the guaranteed way to get your screenplay or novel read [i]
  459. (2006) The use of stories as a tool for intervention and research in the arena of peace education in conflict areas: the Israeli-Palestinian story [d]
  460. (2006/2016) What is environmental history? [i]
  461. (2006) Sweet anticipation: music and the psychology of expectation [i]
  462. (2006) Keewaydinoquay, stories from my youth [i]
  463. (2006) Indigenous peoples' wisdom and power: affirming our knowledge through narratives [i]
  464. (2006) Bookworms versus nerds: exposure to fiction versus non-fiction, divergent associations with social ability, and the simulation of fictional social worlds [d]
  465. (2006) Inside story: the power of the transformational arc [i]
  466. (2006) Making comics: storytelling secrets of comics, manga and graphic novels [i]
  467. (2006) Resilience and posttraumatic growth: a constructive narrative perspective [i]
  468. (2006) Writing for the screen: beyond the gospel of story [u]
  469. (2006) Mercy in her eyes: the films of Mira Nair [i]
  470. (2006) Consequences of erudite vernacular utilized irrespective of necessity: problems with using long words needlessly [d]
  471. (2006) Narrative identity processing of difficult life experiences: pathways of personality development and positive self-transformation in adulthood [d]
  472. (2006) The information book genre: its role in integrated science literacy research and practice [d]
  473. (2006) Writing true: the art and craft of creative nonfiction [i]
  474. (2006) It was like a fever: storytelling in protest and politics [i]
  475. (2006) Embodied categorizing in the grounded theory method: methodical hermeneutics in action [d]
  476. (2006) Stories, visions, and values in voluntary organisations [i]
  477. (2006) Bio-regional patterns and spatial narratives for integrative landscape research and design [i]
  478. (2006) Wake me up when the data is over: how organizations use stories to drive results [i]
  479. (2006) Writers and the war against nature [i]
  480. (2006) The seven deadly sins of argumentative writing [u]
  481. (2006) Why?: what happens when people give reasons, and why [i]
  482. (2006) What's your story?: using stories to ignite performance and be more successful [i]
  483. (2005) Struggling with the fragility of life: a relational-narrative approach to ethics in palliative nursing [p] [d]
  484. (2005/2011) Beyond bullet points: using Microsoft PowerPoint to create presentations that inform, motivate and inspire [i]
  485. (2005) Storycatcher: making sense of our lives through the power and practice of story [i]
  486. (2005) The viewpoints book: a practical guide to viewpoints and composition [i]
  487. (2005) 101 healing stories for kids and teens: using metaphors in therapy [i]
  488. (2005) 'Where has the future gone?': rethinking the role of integrated land-use models in spatial planning [d]
  489. (2005) The art of the documentary: ten conversations with leading directors, cinematographers, editors, and producers [i]
  490. (2005) The leader's guide to storytelling: mastering the art and discipline of business narrative [i]
  491. (2005) What is journalism?: professional identity and ideology of journalists reconsidered [d]
  492. (2005) The education of a comics artist: visual narrative in cartoons, graphic novels, and beyond [i]
  493. (2005) Media and the make-believe worlds of children: when Harry Potter meets Pokémon in Disneyland [i]
  494. (2005) Writing for emotional impact: advanced dramatic techniques to attract, engage, and fascinate the reader from beginning to end [i]
  495. (2005) Association and argument: hypertext in and around the writing process [d]
  496. (2005) 99 ways to tell a story: exercises in style [i]
  497. (2005/2015) Ties that bind: the story of an Afro-Cherokee family in slavery and freedom [i]
  498. (2005) Drawing stories from around the world and a sampling of European handkerchief stories [i]
  499. (2005) The when of knowing [d]
  500. (2005) Flesh, blood, and word: creativity and writing as physiological phenomena [u]
  501. (2005) The narrative aspect of scenario building: how story telling may give people a memory of the future [d]
  502. (2005) Community genograms: using individual, family, and cultural narratives with clients [i]
  503. (2005) Black, white, and Indian: race and the unmaking of an American family [i]
  504. (2005/2011) Narrative exposure therapy: a short-term intervention for traumatic stress disorders after war, terror, or torture [i]
  505. (2005) Acting: advanced techniques for the actor, director, and teacher [i]
  506. (2005) Portraits of life: patterns of events over the lifespan [d]
  507. (2005) Creating language crimes: how law enforcement uses (and misuses) language [i]
  508. (2005) Aging and spirituality: reclaiming connection through storytelling [d]
  509. (2005/2008) Making short films: the complete guide from script to screen [i]
  510. (2005) Why devise? Why now? Why breathe? [d]
  511. (2004) Form and function in introducing narrative and expository texts: a developmental perspective [d]
  512. (2004/2007) Documentary storytelling: making stronger and more dramatic nonfiction films [i]
  513. (2004) Writing cures: an introductory handbook of writing in counselling and psychotherapy [i]
  514. (2004) The shameful admissions of an insatiable, impenitent, incurable research addict [u]
  515. (2004) The power of the actor: the Chubbuck technique [i]
  516. (2004) Lifepaths: geography and biography [d]
  517. (2004) Hollywood economics: how extreme uncertainty shapes the film industry [i]
  518. (2004) Narrative processing: building consumer connections to brands [d]
  519. (2004) Sustainability requires the ability to generate useful narratives capable of surfing complex time [i] [d]
  520. (2004) Transportation into narrative worlds: the role of prior knowledge and perceived realism [d]
  521. (2004) How to build a great screenplay: a master class in storytelling for film [i]
  522. (2004) On Jim Corbett's trail and other tales from tree-tops [i]
  523. (2004) Healing plots: the narrative basis of psychotherapy [i]
  524. (2004) Blue-collar work, career, and success: occupational narratives of sisu [d]
  525. (2004) Vanishing point: a novel [i]
  526. (2004) Understanding PowerPoint: Q&A with Scott McCloud [u]
  527. (2004) Ñaupa rimaikunata charishpa katinamanta = Cuentos de la creación y resistencia = Stories of creation and resistance [i]
  528. (2004) A child's work: the importance of fantasy play [i]
  529. (2004) Acting that matters [i]
  530. (2004/2005) Diarios de motocicleta = Motorcycle diaries [i]
  531. (2004) Narrative exposure therapy in children: a case study [u]
  532. (2004) Moving beyond the blame game: toward a discursive approach to negotiating conflict within couple relationships [d]
  533. (2004) The present moment in psychotherapy and everyday life [i]
  534. (2004) Cancer stories: lessons in love, loss & hope [i]
  535. (2003) The writing life: writers on how they think and work: a collection from the Washington post book world [i]
  536. (2003) Rural voices: place-conscious education and the teaching of writing [i]
  537. (2003) Visual storytelling: the art and technique [i]
  538. (2003/2006) $30 film school [i]
  539. (2003) Revealing the inner worlds of young children: the MacArthur story stem battery and parent–child narratives [i]
  540. (2003) Tracing the footprints: documenting the process of performance [i]
  541. (2003) Leadership presence: dramatic techniques to reach out, motivate, and inspire [i]
  542. (2003) Shifting boundaries on a Wisconsin landscape: can GIS help historians tell a complicated story? [d]
  543. (2003) Management and language: the manager as a practical author [i]
  544. (2003/2015) Narrative form [i] [d]
  545. (2003/2005) The truth about stories: a native narrative [i]
  546. (2003) Cops, teachers, counselors: stories from the front lines of public service [i]
  547. (2003) Imagination can create false autobiographical memories [d]
  548. (2003) Pause & effect: the art of interactive narrative [i]
  549. (2003) Causation as folk science [u]
  550. (2003/2009) The elements of narrative nonfiction: how to write & sell the novel of true events [i]
  551. (2003) Information seeking in the context of writing: a design psychology interpretation of the 'problematic situation' [d]
  552. (2003) Modes of discourse: the local structure of texts [i] [d]
  553. (2003/2014) Computers, visualization, and history: how new technology will transform our understanding of the past [i]
  554. (2003/2014) Visualization as an alternative to prose [i]
  555. (2003) Dying to meet you: facing mortality and enabling patient styles [d]
  556. (2003) Scrivere con la luce = Writing with light [i]
  557. (2003) Ethical argumentation [i]
  558. (2002) Rethinking home: a case for writing local history [i]
  559. (2002/2008) Tangled routes: women, work, and globalization on the tomato trail [i]
  560. (2002) How the doctor's words affect the patient's brain [d]
  561. (2002) Getting into character: seven secrets a novelist can learn from actors [i]
  562. (2002/2011) The colors of nature: culture, identity, and the natural world [i]
  563. (2002) The comic vision of Anishinaabe culture and religion [d]
  564. (2002) Off to the side: a memoir [i]
  565. (2002) The journalist's craft: a guide to writing better stories [i]
  566. (2002) COI stories: explanation and evidence in the history of science [d]
  567. (2002) Word people vs. picture people: normative differences and strategies for control over work among newsroom subgroups [d]
  568. (2002) Deconstructing the placebo effect and finding the meaning response [d]
  569. (2002) Advances in personal construct psychology: new directions and perspectives [i]
  570. (2002) The royal we [u]
  571. (2002) Mapping human history: discovering the past through our genes [i]
  572. (2002) Narrative threads: accounting and recounting in Andean Khipu [i]
  573. (2002) Thinking like your editor: how to write great serious nonfiction—and get it published [i]
  574. (2002) Between director and actor: strategies for effective performance [i]
  575. (2002) The one-page proposal: how to get your business pitch onto one persuasive page [i]
  576. (2002/2011) Questions to ask when writing and editing a narrative that reconstructs events [u]
  577. (2002) The zoom in popular cinema: a question of performance [d]
  578. (2002) Victim and offender accounts of interpersonal conflict: autobiographical narratives of forgiveness and unforgiveness [d]
  579. (2001) Advancing a political ecology of global environmental discourses [d]
  580. (2001) Journeys through conflict: narratives and lessons [i]
  581. (2001/2008) Le souvenir d'un avenir = Remembrance of things to come [o]
  582. (2001) Telling the stories of life through guided autobiography groups [i]
  583. (2001/2008) The visual story: creating the structure of film, TV, and digital media [i]
  584. (2001) 101 healing stories: using metaphors in therapy [i]
  585. (2001) Honoring and privileging personal experience and knowledge: ideas for a narrative therapy approach to the training and supervision of new therapists [d]
  586. (2001) Narrative medicine: a model for empathy, reflection, profession, and trust [d]
  587. (2001) Everyday irrationality: how pseudo-scientists, lunatics, and the rest of us systematically fail to think rationally [i]
  588. (2001) Teacher education and cultural imagination: autobiography, conversation, and narrative [i]
  589. (2001) Writing creative nonfiction: instruction and insights from teachers of the Associated Writing Programs [i]
  590. (2001/2016) Getting it published: a guide for scholars and anyone else serious about serious books [i]
  591. (2001/2002) The situation and the story: the art of personal narrative [i]
  592. (2001) The 101 habits of highly successful screenwriters: insider secrets from Hollywood's top writers [i]
  593. (2001) The role of myth in creative advertising design: theory, process and outcome [j]
  594. (2001) Leaving a trace: on keeping a journal: the art of transforming a life into stories [i]
  595. (2001) The hard road to the good life: the happy, mature person [d]
  596. (2001) Journey into the rainforest [i]
  597. (2001/2014) The elements of journalism: what newspeople should know and the public should expect [i]
  598. (2001) Story medicine: multicultural tales of healing and transformation [i]
  599. (2001) Cognitive coherence relations and hypertext: from cinematic patterns to scholarly discourse [i] [d]
  600. (2001) Turns in the road: narrative studies of lives in transition [i]
  601. (2001) To work or play?: junior age non-fiction as objects of design [d]
  602. (2001) Meaning reconstruction and the experience of loss [i]
  603. (2001) Shakespeare's invention of theater as simulation that runs on minds [d]
  604. (2001/2008) Film directing fundamentals: see your film before shooting [i]
  605. (2001) Stories at the forest edge: the KEMALA approach to crafting good governance and sustainable futures [o]
  606. (2001) Vectors: aphorisms & ten-second essays [i]
  607. (2001) Research as therapy: the power of narrative to effect change [i] [d]
  608. (2001) Creating conversations: improvisation in everyday discourse [i]
  609. (2001) The seven sins of memory: how the mind forgets and remembers [i]
  610. (2001) New perspectives on autobiographical memory: the integration of narrative processing and autobiographical reasoning [d]
  611. (2001) Sound design: the expressive power of music, voice, and sound effects in cinema [i]
  612. (2001) The world of where and when [i]
  613. (2000) The heart of grief: death and the search for lasting love [i]
  614. (2000) The films of Mike Leigh: embracing the world [i]
  615. (2000/2011) The copyeditor's handbook: a guide for book publishing and corporate communications, with exercises and answer keys [i]
  616. (2000) Writing a book that makes a difference [i]
  617. (2000) Play and the power of news [d]
  618. (2000) Constructing psychopathology from a cognitive narrative perspective [i] [d]
  619. (2000) Some stories are better than others: doing what works in brief therapy and managed care [i]
  620. (2000) 10 pages a day [i]
  621. (2000/2010) The forest for the trees: an editor's advice to writers [i]
  622. (2000) Movie worlds: production design in film = Das Szenenbild im Film [i]
  623. (2000/2010) The first five pages: a writer's guide to staying out of the rejection pile [i]
  624. (2000) The skin of the film: intercultural cinema, embodiment, and the senses [i]
  625. (2000/2006) How picturebooks work [i]
  626. (2000) Emotion, alienation, and narratives: resolving intractable conflict [d]
  627. (2000) Reporting and writing: basics for the 21st century [i]
  628. (2000/2007) Storyboards: motion in art [i]
  629. (2000) Owning the story: ethical considerations in narrative research [d]
  630. (2000) Grassroots journalism: a practical manual for doing the kind of newswriting that doesn't just get people angry, but active—that doesn't just inform, but inspires [i]
  631. (2000) Narrative mediation: a new approach to conflict resolution [i]
  632. (1999) The literature of journalism: text and context [i]
  633. (1999) Stages on journeys: some remarks about human geography and psychotherapeutic practice [d]
  634. (1999) The six part story method (6PSM): as an aid in the assessment of personality disorder [d]
  635. (1999/2006) Writer's guide to character traits: includes profiles of human behaviors and personality types [i]
  636. (1999) Context is everything: the nature of memory [i]
  637. (1999) Missing persons: the impossibility of auto/biography [i]
  638. (1999) Narratives of recovery from addictive behaviours [d]
  639. (1999) Impro for storytellers [i]
  640. (1999) Psychotherapy process measure research and the evaluation of psychotherapy orientation: a narrative analysis [d]
  641. (1999) Life in the treetops: adventures of a woman in field biology [i]
  642. (1999) Traditional storytelling today: an international sourcebook [i]
  643. (1999) Storylines: craftartists' narratives of identity [i]
  644. (1999) Holdfast: at home in the natural world [i]
  645. (1999) Identity and forgetting [d] [j]
  646. (1999) Why fiction may be twice as true as fact: fiction as cognitive and emotional simulation [d]
  647. (1999) Meetings of minds: dialogue, sympathy, and identification, in reading fiction [d]
  648. (1999) Reformulating dispute narratives through active listening [d]
  649. (1999) The experience economy: work is theatre & every business a stage [i]
  650. (1999) How we write: writing as creative design [i]
  651. (1999) Difficult conversations: how to discuss what matters most [i]
  652. (1999) The bodily complexity of truth-telling in qualitative research: some implications of Gendlin's theory [d]
  653. (1999) The clockwork muse: a practical guide to writing theses, dissertations, and books [i]
  654. (1998) The social life of stories: narrative and knowledge in the Yukon Territory [i]
  655. (1998/2008) Writing dialogue for scripts: effective dialogue for film, TV, radio and stage [i]
  656. (1998) Custodians of conscience: investigative journalism and public virtue [i]
  657. (1998) The common place of law: stories from everyday life [i]
  658. (1998) Visual language: global communication for the 21st century [i]
  659. (1998) A newcomer gains power: an analysis of the role of rhetorical expertise [d]
  660. (1998/2015) Steering the craft: a twenty-first century guide to sailing the sea of story [i]
  661. (1998) Empathy, shame, guilt, and narratives of interpersonal conflicts: guilt-prone people are better at perspective taking [d]
  662. (1998) Medicine stories: history, culture, and the politics of integrity [i]
  663. (1998) The power of personal storytelling: spinning tales to connect with others [i]
  664. (1998) The role of defense in the life story [d]
  665. (1998) Matters of interpretation: reciprocal transformation in therapeutic and developmental relationships with youth [i]
  666. (1998) Memory & narrative: the weave of life-writing [i]
  667. (1998) Blue as the lake: a personal geography [i]
  668. (1998) Pretty pictures: production design and the history film [i]
  669. (1998) The pale of words: reflections on the humanities and performance [i]
  670. (1998) A narrative approach to the practice of mediation [d]
  671. (1997) Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos [i]
  672. (1997) Green space, green time: the way of science [i]
  673. (1997/1999) La vita è bella = Life is beautiful [i]
  674. (1997) History versus science: the evolutionary solution [d] [j]
  675. (1997) The persuasive pen: an integrated approach to reasoning and writing [i]
  676. (1997) Toward families of stories in context [d]
  677. (1997/2007) Making documentary films and videos: a practical guide to planning, filming, and editing documentaries [i]
  678. (1997) Intimate journalism: the art and craft of reporting everyday life [i]
  679. (1997) Story: substance, structure, style and the principles of screenwriting [i]
  680. (1997) Autobiography, voice, and developmental theory [i]
  681. (1997) Fugitive pieces [i]
  682. (1997) Cultures of habitat: on nature, culture, and story [i]
  683. (1996) How we grieve: relearning the world [i]
  684. (1996) Nohow on: three novels [i]
  685. (1996) Deleuze's style [d]
  686. (1996) Rewriting: the arts and sciences of improving expository instructional text [i]
  687. (1996) The continuing circle: Native American storytelling past and present [i]
  688. (1996) One river: explorations and discoveries in the Amazon rain forest [i]
  689. (1996/2003) Best words, best order: essays on poetry [i] [d]
  690. (1996) The art of technique: an aesthetic approach to film and video production [i]
  691. (1996/2011) The power of framing: creating the language of leadership [i]
  692. (1996) Justifying work: occupational rhetorics as resources in restaurant kitchens [d] [j]
  693. (1996) Narrative therapy: the social construction of preferred realities [i]
  694. (1996) Who says?: essays on pivotal issues in contemporary storytelling [i]
  695. (1996) Narrative, social constructionism, and Buddhism [i]
  696. (1996) The science of writing: theories, methods, individual differences, and applications [i]
  697. (1996) Reader's block [i]
  698. (1996/2004) Lifescripts: what to say to get what you want in life's toughest situations [i]
  699. (1996) Kitchen table wisdom: stories that heal [i]
  700. (1996) Constructing realities: meaning-making perspectives for psychotherapists [i]
  701. (1996) New entries: learning by writing and drawing [i]
  702. (1996) An account of writing as creative design [i]
  703. (1996) The passionate fact: storytelling in natural history and cultural interpretation [i]
  704. (1996) The relationship between vivid description, emotional arousal, and in-session resolution of problematic reactions [d]
  705. (1996) Writing as sculpture, 1978–1987 [i]
  706. (1996) Communication and the other: beyond deliberative democracy [i]
  707. (1995) Samuel Beckett: the complete short prose, 1929–1989 [i]
  708. (1995/2016) The craft of research [i]
  709. (1995) Communicating through story characters: radio social drama [i]
  710. (1995) The end of the story [i]
  711. (1995) Writing ethnographic fieldnotes [i]
  712. (1995) On printed matter and beyond: media, orality and literacy [i]
  713. (1995) A dialectical-constructivist approach to experiential change [i]
  714. (1995) The art of writing for publication [i]
  715. (1995) White gloves: how we create ourselves through memory [i]
  716. (1995/2011) Visual communication: images with messages [i]
  717. (1995) The storytelling coach: how to listen, praise, and bring out people's best [i]
  718. (1995) Constructivist psychotherapies: features, foundations, and future directions [i]
  719. (1995) Constructivism in psychotherapy [i]
  720. (1995/2013) Leading out loud: a guide for engaging others in creating the future [i]
  721. (1995) Emotion, disclosure & health [i]
  722. (1995) The avant-garde finds Andy Hardy [i]
  723. (1995) The big catch: a practical introduction to development [i]
  724. (1995) Memory distortion: how minds, brains, and societies reconstruct the past [i]
  725. (1994) Massacre of the dreamers: essays on Xicanisma [i]
  726. (1994) Discourse, consciousness, and time: the flow and displacement of conscious experience in speaking and writing [i]
  727. (1994) Cuentos completos [i]
  728. (1994) Personal accounts of successful versus failed attempts at life change [d]
  729. (1994) Our lives are our best teaching tools [d]
  730. (1994) The remembering self: construction and accuracy in the self-narrative [i]
  731. (1994) Devising theatre: a practical and theoretical handbook [i]
  732. (1994/2010) The screenwriter's bible: a complete guide to writing, formatting, and selling your script [i]
  733. (1994/2010) Shaking the money tree: how to get grants and donations for film and video projects [i]
  734. (1993) Telling your own stories: a new resource for discovering and creating your own stories [i]
  735. (1993/1997) Essays critical and clinical [i]
  736. (1993/1997) Literature and life [i]
  737. (1993) Story and legend: powerful tools for conflict resolution [d]
  738. (1993) How problems evolve and dissolve: integrating narrative and strategic concepts [p] [d]
  739. (1993/2010) The complete film production handbook [i]
  740. (1993) Story earth: native voices on the environment [i]
  741. (1993) Literacy through the book arts [i]
  742. (1993) Toni Morrison: The art of fiction No. 134 [u]
  743. (1993) Mapping the invisible landscape: folklore, writing, and the sense of place [i]
  744. (1993) Improvising real life: personal story in playback theatre [i]
  745. (1993) Understanding scientific prose [i]
  746. (1992) Magic eyes: scenes from an Andean girlhood [i]
  747. (1992) Filmmaking: narrative & structural techniques [i]
  748. (1992) Mediator neutrality and storytelling order [d]
  749. (1992) Um astronauta no Chipre: incluindo os roteiros de 'Ilha das Flores', 'Esta não é a sua vida' e o inédito 'A Matadeira' [i]
  750. (1992) A chorus of stones: the private life of war [i]
  751. (1992) The particular-circumstance model of scientific explanation [i]
  752. (1992/2004) Cinematic motion: a workshop for staging scenes [i]
  753. (1992) Telling the tree: narrative representation and the study of evolutionary history [d]
  754. (1992/2007) The actor's checklist: creating the complete character [i]
  755. (1992) Ecological literacy: education and the transition to a postmodern world [i]
  756. (1992) The construction of clinical 'realities' [i]
  757. (1991) Creating stories for storytelling [i]
  758. (1991) Film directing shot by shot: visualizing from concept to screen [i]
  759. (1991) Awakening the hidden storyteller: how to build a storytelling tradition in your family [i]
  760. (1991) Toward a new discourse for mediation: a critique of neutrality [d]
  761. (1991) Stories that heal: reparenting adult children of dysfunctional families using hypnotic stories in psychotherapy [i]
  762. (1991) Refuse to stand silently by: an oral history of grass roots social activism in America, 1921–64 [i]
  763. (1990) Beginning to read: thinking and learning about print [i]
  764. (1990) Zen in the art of writing [i]
  765. (1990) Cancer stories: creativity and self-repair [i]
  766. (1990) From chaos to cosmos: the telling of a life story reconsidered [d]
  767. (1990) Some narrative conventions of scientific discourse [i]
  768. (1990) Iris Murdoch: The art of fiction No. 117 [u]
  769. (1990/1997) Opening up: the healing power of expressing emotions [i]
  770. (1990/2007) Writing, directing, and producing documentary films and videos [i]
  771. (1990/1995) Tell me a story: narrative and intelligence [i]
  772. (1990) Frog's riddle & other draw-and-tell stories [i]
  773. (1990) Psychotherapy as shared reconstruction [d]
  774. (1990) Creating a character: a physical approach to acting [i]
  775. (1989/2010) Ethnography: step-by-step [i]
  776. (1989/2003) Ilha das flores = Isle of flowers [or: Island of flowers] [o]
  777. (1989/2002) Hypnotherapy scripts: a neo-Ericksonian approach to persuasive healing [i]
  778. (1989/1993) The unreality industry: the deliberate manufacturing of falsehood and what it is doing to our lives [i]
  779. (1989) Roger & me [o]
  780. (1989/2008) Directing: film techniques and aesthetics [i]
  781. (1988) Ozu and the poetics of cinema [i]
  782. (1988) Nervous conditions: a novel [i]
  783. (1988) Jim Harrison: The art of fiction No. 104 [u]
  784. (1988) How to write a movie in 21 days: the inner movie method [i]
  785. (1988/1998) The new way things work [or: The way things work] [i]
  786. (1988) Alternatives to psychoanalytic psychobiography [i]
  787. (1987/2012) Borderlands = La frontera: the new mestiza [i]
  788. (1987) Der lauf der dinge [o]
  789. (1987) Mother Earth: an American story [i]
  790. (1987) The interface between the written and the oral [i]
  791. (1987/2010) Handbook for academic authors [i] [d]
  792. (1987/1989) Pauli Murray: the autobiography of a Black activist, feminist, lawyer, priest, and poet [or: Song in a weary throat: an American pilgrimage] [i]
  793. (1987/2009) Directing the documentary [i]
  794. (1986) Your life & times: how to put a life story on tape: an oral history handbook [o]
  795. (1986) Perceiving cinematic episodes: a cross-cultural repertory grid study of a narrative film segment [d]
  796. (1986/2000) The biographical illusion [i]
  797. (1986) History from below: how to uncover and tell the story of your community, association, or union [i]
  798. (1986/1988) Annie stories: a special kind of storytelling [i]
  799. (1986) How to get your point across in 30 seconds—or less [i]
  800. (1986/1995) The knowing body: the artist as storyteller in contemporary performance [i]
  801. (1985) Narration in the fiction film [i]
  802. (1985) Dignity: lower income women tell of their lives and struggles: oral histories [i]
  803. (1984) James Baldwin: The art of fiction No. 78 [u]
  804. (1984/1985) Flaubert's parrot [i]
  805. (1984/2006) The screenwriter's workbook [i]
  806. (1984) Outliving the self: generativity and the interpretation of lives [i]
  807. (1984) El hombre que murió de un rumor [i]
  808. (1984) The story vine: a source book of unusual and easy-to-tell stories from around the world [i]
  809. (1984/1991) Film scheduling, or, How long will it take to shoot your movie?: the complete step-by-step guide to professional motion picture scheduling [i]
  810. (1983) The improvised play: the work of Mike Leigh [i]
  811. (1983) Healing fiction [i]
  812. (1983/1987) Taleworlds and storyrealms: the phenomenology of narrative [i] [d]
  813. (1982) The psychology of chance encounters and life paths [d]
  814. (1982) Another way of telling [i]
  815. (1982) Parti-colored blocks for a quilt [i]
  816. (1982) Narrative truth and historical truth: meaning and interpretation in psychoanalysis [i]
  817. (1981/2017) Style: lessons in clarity and grace [or: Style: ten lessons in clarity & grace] [i]
  818. (1980/1986) The writing of the disaster [i]
  819. (1980) The pride of Mrs. McBride [o]
  820. (1979/2008) Film art: an introduction [i]
  821. (1978/1993) One less manifesto [i]
  822. (1977/1993) New handbook for storytellers: with stories, poems, magic, and more [i]
  823. (1977) Daughters of the earth: the lives and legends of American Indian women [i]
  824. (1977/1990) The world of storytelling [i]
  825. (1976) Ojibway heritage [i]
  826. (1975/2010) A seventh man: a book of images and words about the experience of migrant workers in Europe [i]
  827. (1974) Working: people talk about what they do all day and how they feel about what they do [i]
  828. (1971/1997) The night country [i]
  829. (1971/2003) The education of the un-artist [i]
  830. (1970) Bury my heart at Wounded Knee: an Indian history of the American West [i]
  831. (1970/1998) The invisible pyramid [i]
  832. (1970) Rhetoric: discovery and change [i]
  833. (1967) La vuelta al día en ochenta mundos [i]
  834. (1966) Saul Bellow: The art of fiction No. 37 [u]
  835. (1966/1999) The art of memory [i]
  836. (1963/1984) Rayuela [i]
  837. (1962/1992) La jetée: ciné-roman [i]
  838. (1962) Henry Miller: The art of fiction No. 28 [u]
  839. (1960/2014) Scientific style and format: the CSE manual for authors, editors, and publishers [i]
  840. (1960/1999) The firmament of time [i]
  841. (1959) Pragmatism as a theory of historical knowledge: John Dewey on the nature of historical inquiry [d] [j]
  842. (1952/1959) On intellectual craftsmanship [i]
  843. (1950/1975) Thinking straight: principles of reasoning for readers and writers [i]
  844. (1946/1985) Hiroshima [i]
  845. (1938) Judgment as spatio-temporal determination: narration-description [i] [u]
  846. (1921/2003) American Indian stories, legends, and other writings [i] [u]
  847. (1918/1999) The elements of style [i]
  848. (1912) A history of northern Michigan and its people [o] [u]
  849. (1899/2011) Ogimawkwe mitigwaki = Queen of the woods: a novel [i] [u]
  850. (1892/2002) On lynchings: Southern horrors, A red record, Mob rule in New Orleans [i] [u]
  851. (1885/2009) History of the Ojibway people [i] [u]
  852. (1881/1995) A century of dishonor: a sketch of the United States government's dealings with some of the Indian tribes [i] [u]
  853. (1861/2009) Incidents in the life of a slave girl: written by herself [i] [u]
  854. (1858) Indian life and Indian history by an Indian author: embracing the traditions of the North American Indians regarding themselves, particularly of that most important of all the tribes, the Ojibways [o] [u]
  855. (1853/2012) Twelve years a slave [i] [u]
  856. (1849/2001) The life and adventures of Henry Bibb: an American slave [i] [u]

Copyright © 2010–2018 Nathan A. Strait (contact me)
14th edition, last updated: 6 September 2018
Statistics: authors, journals, publishers