How to printmake

From Crossing the Sacred Sea [Cruzando el mar sagrado], 13th edition, by Nathan A. Strait

  1. (2016) The book: a cover-to-cover exploration of the most powerful object of our time [i]
  2. (2015) Partners in print: artistic collaboration and the ukiyo-e market [i]
  3. (2015) Encouraging better graphic design in libraries: a creative commons crowdsourcing approach [d]
  4. (2015) In progress: see inside a lettering artist's sketchbook and process, from sketch to vector [i]
  5. (2014) Paper knowledge: toward a media history of documents [i] [d]
  6. (2014) Out with the old, in with the new: best practices for replacing library signage [d]
  7. (2014) Graphic design in libraries: a conceptual process [d]
  8. (2013) Do you see the signs?: evaluating language, branding, and design in a library signage audit [d]
  9. (2012) The anatomy of type: a graphic guide to 100 typefaces [i]
  10. (2009/2013) Graphic design history: a critical guide [i]
  11. (2009) Eco books: inventive projects from the recycling bin [i]
  12. (2007) Hokusai, first manga master [i]
  13. (2007/2015) Signage and wayfinding design: a complete guide to creating environmental graphic design systems [i]
  14. (2007) Designing interpretive signs: principles in practice [i]
  15. (2007) Signage systems & information graphics: a professional sourcebook [i]
  16. (2006) Print & finish [i]
  17. (2006) Water-based screenprinting today: from hands-on techniques to digital technology [i]
  18. (2006) Burning books and leveling libraries: extremist violence and cultural destruction [i]
  19. (2005) Designing type [i]
  20. (2005) Color management: a comprehensive guide for graphic designers [i]
  21. (2005) The book: the life story of a technology [i]
  22. (2004/2008) A universal history of the destruction of books: from ancient Sumer to modern Iraq [i]
  23. (2004/2011) Nueva historia universal de la destrucción de libros: de las tablillas sumerias a la era digital [i]
  24. (2004) Getting the picture: a brief guide to understanding and creating visual texts [i]
  25. (2003) Screenprinting: the complete water-based system [i]
  26. (2003/2012) The complete manual of typography: a guide to setting perfect type [i]
  27. (2003/2005) Real world color management: industrial-strength production techniques [i]
  28. (2003/2011) A guide to graphic print production [i]
  29. (2003) Libricide: the regime-sponsored destruction of books and libraries in the twentieth century [i]
  30. (2001) Essays in ink chemistry (for paints and coatings too) [i]
  31. (2001/2016) Scrolling forward: making sense of documents in the digital age [i]
  32. (2000) Silk screening across the curriculum
  33. (2000/2006) Colors: what they mean and how to make them [i]
  34. (1999) Worte für einen Strich = Paroles pour un trait = Words for line drawings [i]
  35. (1999) Color coding [d]
  36. (1998) Print culture in a diverse America [i]
  37. (1998) Geometrie der Gefühle = Géométrie des sentiments = Geometry of feelings [i]
  38. (1998) Creating handmade books [i]
  39. (1998) On book design [i]
  40. (1998) Sewn and pasted cloth or leather bookbinding for book artists requiring no special tools or equipment [i]
  41. (1997) The marketplace of print: pamphlets and the public sphere in early modern England [i]
  42. (1997/1999) Mysteries of the alphabet: the origins of writing [i]
  43. (1997) Visual explanations: images and quantities, evidence and narrative [i]
  44. (1996) Designing books: practice and theory [i]
  45. (1996) Screen printer's tip book [i]
  46. (1996) Five hundred years of printing [i]
  47. (1995) On printed matter and beyond: media, orality and literacy [i]
  48. (1995) Colour: art & science [i]
  49. (1995) Cover to cover: creative techniques for making beautiful books, journals & albums [i]
  50. (1994) Screen printing: a literature review [i]
  51. (1994) Screenprinting: water-based techniques [i]
  52. (1994/2015) Letter fountain: the ultimate type reference guide [i]
  53. (1993/2004) Industrial organic pigments: production, properties, applications [i]
  54. (1993) Literacy through the book arts [i]
  55. (1993/2014) Stop stealing sheep & find out how type works [i]
  56. (1992/2004) The elements of typographic style [i]
  57. (1992/2010) The complete typographer: a manual for designing with type [i]
  58. (1992) Wordplay: ambigrams and reflections on the art of ambigrams [i]
  59. (1991/2003) Color chemistry: syntheses, properties, and applications of organic dyes and pigments [i]
  60. (1990) Screen printing: design & technique [i]
  61. (1990) Envisioning information [i]
  62. (1989) Better type [i]
  63. (1989) Working with graphic designers [i]
  64. (1987/2008) Detail in typography: letters, letterspacing, words, wordspacing, lines, linespacing, columns [i]
  65. (1987) Water-based inks: a screenprinting manual for studio and classroom [o]
  66. (1986) Control without confusion: troubleshooting screen-printed process color [i]
  67. (1986/2004) Getting it printed: how to work with printers and graphic imaging services to assure quality, stay on schedule and control costs [i]
  68. (1985) Artists' books: a critical anthology and sourcebook [i]
  69. (1984) The low-cost wooden duplicator: how to make it, how to use it [i]
  70. (1984/2003) Structure of the visual book [i]
  71. (1983/2001) The physics and chemistry of color: the fifteen causes of color [i]
  72. (1983) The alternative printing handbook [i]
  73. (1983/2001) The visual display of quantitative information [i]
  74. (1982) Signage: graphic communications in the built world [i]
  75. (1981) The complete guide to prints and printmaking techniques and materials [i]
  76. (1980) The complete guide to illustration and design techniques and materials [i]
  77. (1980) Made to measure: children's books in developing countries [i]
  78. (1980) Early woodcut workshops [d]
  79. (1980) Colors from the Earth: the artists' guide to collecting, preparing, and using them [i]
  80. (1979) The Thames and Hudson manual of screen printing [i]
  81. (1978/1989) Signs and symbols: their design and meaning [i]
  82. (1975/1992) Print: how you can do it yourself! [i]
  83. (1974) Making woodcuts [i]
  84. (1972) Practical lithographic printmaking [i]
  85. (1972/1990) The complete printmaker: techniques, traditions, innovations [i]
  86. (1970/1999) A short history of the printed word [i]
  87. (1970/1977) Techniques for producing visual instructional media [i]
  88. (1970/1984) Audio-visual communication handbook [o]
  89. (1968) Basic typography [o]
  90. (1968) Printing as an index of taste [o]
  91. (1967) Silk-screen as a fine art: a handbook of contemporary silk-screen printing [i]
  92. (1963) The complete book of silk screen printing production [o]
  93. (1962/1978) Handbook for preparing visual media [i]
  94. (1961/1983) Gestaltungsprobleme des Grafikers = The graphic artist and his design problems = Les problèmes d'un artiste graphique [i]
  95. (1959/1980) 57 how-to-do-it charts: on materials–equipment–techniques for screen printing [i]
  96. (1958) Silk screen techniques [o]
  97. (1958/1990) The coming of the book: the impact of printing, 1450–1800 [i]
  98. (1957/2004) The reproduction of colour [i] [d]
  99. (1956/1983) Methods of book design: the practice of an industrial craft [i]
  100. (1955/1981) Photographic screen printing [i]
  101. (1953) Prints and visual communication [o]
  102. (1952/1957) Basic bookbinding [i]
  103. (1952/1971) Maps and diagrams: their compilation and construction [i]
  104. (1949/1958) Type: a selection of types, 80 alphabets of old and modern faces [o]
  105. (1943/1999) The Aztec and Maya papermakers [i]
  106. (1936) International picture language: the first rules of Isotype [o]
  107. (1904/1998) Forty centuries of ink [i]
  108. (1890/2011) The manual of photography [i]
  109. (1875) The chemistry of light and photography [o] [u]

Copyright © 2010–2017 Nathan A. Strait (contact)
13th edition, last updated: 9 September 2017
Statistics: authors, journals, publishers
http://sea.nathanstrait.com/printmaking