How to draw

From Crossing the Sacred Sea [Cruzando el mar sagrado] by Nathan A. Strait

  1. () The power and influence of illustration: achieving impact and lasting significance through visual communication [i] [d]
  2. () How drawings work: a user-friendly theory [i] [d]
  3. () The surprisingly powerful influence of drawing on memory [d]
  4. () Drawing boundary conditions for learning by drawing [d]
  5. () Workflow: a practical guide to the creative process [i]
  6. () The orange manuscript = El manuscrito naranja [o] [u]
  7. () Creating stylized characters [i]
  8. () Draw stronger: self-care for cartoonists & visual artists [i]
  9. () Sketch workshop: landscapes [i]
  10. () Drawn to see: drawing as an ethnographic method [i]
  11. () The cognitive science of sketch worksheets [d]
  12. () Prose architectures [i]
  13. () Elastic perspective: the diagonal line and the production of deep space [d]
  14. () Experiential learning theory: the importance of outdoor classrooms in environmental education [d]
  15. () Drawing physics: 2,600 years of discovery from Thales to Higgs [i] [d] [j]
  16. () Self-generated drawing: a help or hindrance to learning from animation? [i] [d]
  17. () Artist's drawing techniques [i]
  18. () C. S. Peirce and the teaching of drawing [i] [d]
  19. () Drawing for promoting learning and engagement with dynamic visualizations [i] [d]
  20. () Character design quarterly [o] [u]
  21. () Pencil me in: the business drawing book for people who can't draw [i]
  22. () The idea shapers: the power of putting your thinking into your own hands [i]
  23. () Actual drawing of histological images improves knowledge retention [p] [d]
  24. (/2017) Explorers' sketchbooks: the art of discovery & adventure [i]
  25. () Manual of section [i]
  26. () Drawing for sport [d]
  27. () Sketching designs using the five design-sheet methodology [d]
  28. Anna Lena Schiller, Robert Klanten, & Sven Ehmann [ed] () Graphic recording: live illustrations for meetings, conferences and workshops [i]
  29. () The setup: Viviane Schwarz [on bingo scheduling: aleatory time management using a bingo wheel] [u]
  30. (/2019) Graphite: concept drawing, illustration, urban sketching [o] [u]
  31. Antonis Antoniou, Robert Klanten, & Sven Ehmann [ed] () Mind the map: illustrated maps and cartography [i]
  32. () Sharpie art workshop: techniques & ideas for transforming your world [i]
  33. () The life of lines [i] [d]
  34. () The curious nature guide: explore the natural wonders all around you [i]
  35. () The art of communication through drawing: the case of 'Mr. R', a young man professing misanthropy while longing for connection with others [d] [u]
  36. () Listen to the map user: cognition, memory, and expertise [d]
  37. () A sketch is not enough: dynamic external support increases creative insight on a guided synthesis task [d]
  38. () The sketchnote workbook: advanced techniques for taking visual notes you can use anywhere [i]
  39. () The art of illustrated maps: a complete guide to creative mapmaking's history, process, and inspiration [i]
  40. () Nature anatomy: the curious parts & pieces of the natural world [i]
  41. () The other kind of funnies: comics in technical communication [i]
  42. () Visual families: graphic storytelling in design and illustration [i]
  43. Angela Bartram, Nader El-Bizri, & Douglas Gittens [ed] () Recto verso: redefining the sketchbook [i]
  44. () The doodle revolution: unlock the power to think differently [i]
  45. () Kids are weird: and other observations from parenthood [i]
  46. () Modeling the role of sketching in design idea generation [i] [d]
  47. Leonard Handler & Antoinette D. Thomas [ed] () Drawings in assessment and psychotherapy: research and application [i] [d]
  48. (/2017) UZMO: thinking with your pen [i]
  49. () The exceptionally simple theory of sketching: why do professional sketches look beautiful? [i]
  50. () An excuse to draw: Tommy Kane sketches the world [i]
  51. () That which is not drawn [i]
  52. () Six drawing lessons [i]
  53. () Early and repeated exposure to examples improves creative work [i] [d]
  54. () In-session sketching: an adjunctive technique for brief dynamic therapies [d]
  55. () Caricaturistes: fantassins de la démocratie [o]
  56. () Abductive sensemaking through sketching [u]
  57. Julius Wiedemann [ed] () Illustration now! 5 [i]
  58. () A map of the world: according to illustrators & storytellers [i]
  59. () Robert Davidson: abstract impulse [i]
  60. () The nature and status of visual resources [i] [d]
  61. () The animator's eye: adding life to animation with timing, layout, design, color and sound [or: The animator's eye: composition and design for better animation] [i]
  62. () An illustrated journey: inspiration from the private art journals of traveling artists, illustrators and designers [i]
  63. () Dune zine and the drawing jam at Café Racer [u]
  64. () Drawn to design: analyzing architecture through freehand drawing [i]
  65. () Cognitive tools shape thought: diagrams in design [d]
  66. () Drilling into complex 3D models with gimlenses [i] [d]
  67. () The sketchnote handbook: the illustrated guide to visual note taking [i]
  68. () The world atlas of street art and graffiti [i]
  69. () Sketching from the imagination: an insight into creative drawing [i]
  70. () Walk the line: the art of drawing [i]
  71. () Digital animation as a method to disseminate research findings to the community using a community-based participatory approach [d]
  72. () The graphic facilitator's guide: how to use your listening, thinking & drawing skills to make meaning [i]
  73. Architecture for Humanity [ed] () Design like you give a damn 2: building change from the ground up [i]
  74. () Character mentor: learn by example to use expressions, poses, and staging to bring your characters to life [i]
  75. () A drawing of the world: documentary and comic book [u]
  76. () Drawing flies: artwork in the field [d]
  77. () Explaining 'I can't draw': parallels between the structure and development of language and drawing [d] [u]
  78. () Prototyping dynamics: sharing multiple designs improves exploration, group rapport, and results [i] [d]
  79. () Flexible visual processing of spatial relationships [p] [d]
  80. () Perceptions as hypotheses: saccades as experiments [d]
  81. () Why is drawing important to research? [d]
  82. () Architectural colour in the professional palette [i]
  83. () Perceptual constancies and visual selection as predictors of realistic drawing skill [d]
  84. () Gary Panter's drawing tips [u]
  85. () fMRI-activation during drawing a naturalistic or sketchy portrait [p] [d]
  86. () Oblique drawing: a history of anti-perspective [i]
  87. () The value of fieldwork in life and environmental sciences in the context of higher education: a case study in learning about biodiversity [d]
  88. () Visual diary as prosthetic practice in Bobby Baker's Diary drawings [d]
  89. () Seekers and travellers: contemporary art of the Pacific Northwest Coast [i]
  90. () Drawing in the digital age: an observational method for artists and animators [i]
  91. () Drawing to learn in science [d]
  92. () Bento's sketchbook: how does the impulse to draw something begin? [i]
  93. () Contemporary drawing: key concepts and techniques [i]
  94. () The efficacy of prototyping under time constraints [i] [d]
  95. () Think global, act local: a protocol analysis comparison of artists' and nonartists' cognitions, metacognitions, and evaluations while drawing [d]
  96. () Using contrasting drawings or pictures as an assessment tool within a personal construct framework [i] [d]
  97. () Low and high spatial frequencies are most useful for drawing [d]
  98. (/2017) Drawing a hypothesis: figures of thought [i]
  99. () Expertise differences in the comprehension of visualizations: a meta-analysis of eye-tracking research in professional domains [d]
  100. () What's wrong with this picture?: an experiment in quantifying accuracy in 2D portrait drawing [d]
  101. () Being alive: essays on movement, knowledge and description [i] [d]
  102. Tim Ingold [ed] () Redrawing anthropology: materials, movements, lines [i]
  103. () Drawing together: doing, observing, describing [i] [d]
  104. () One drawing a day: a 6-week course exploring creativity with illustration and mixed media [i]
  105. () Using sketch drawing to induce inconsistency in liars [d]
  106. () Through the looking glass: what computation found there [u]
  107. () Everything is its own reward [i]
  108. Mick Maslen & Jack Southern [ed] () Drawing projects: an exploration of the language of drawing [i]
  109. () Impositions of order: a comparison between design and fine art practices [d]
  110. () Perspectives of time-use: exploring the use of drawings, interviews and rating-scales with children aged 6–7 years [d]
  111. Saelee Oh & Evan Pricco [ed] () Juxtapoz illustration 2 [i]
  112. () They draw and cook: 108 recipes illustrated by artists from around the world [i] [u]
  113. () From scribbles to meanings: social interaction in different cultures and the emergence of young children's early drawing [d]
  114. Hasso Plattner, Christoph Meinel, & Larry J. Leifer [ed] () Design thinking: understand—improve—apply [i] [d]
  115. () Farm anatomy: the curious parts & pieces of country life [i]
  116. () Dynamic evaluation of high- and low-creativity drawings by artist and nonartist raters: replication and methodological extension [d]
  117. Julius Wiedemann [ed] () Illustration now! 4 [i]
  118. () What does doodling do? [d]
  119. () Iona Rozeal Brown [i]
  120. () Drawing: the enactive evolution of the practitioner [i]
  121. () Developmental trajectories in design thinking: an examination of criteria [d]
  122. () Inverting an image does not improve drawing accuracy [d]
  123. () Translations: effects of viewpoint, feature, and naming on identifying repeatedly copied drawings [d]
  124. () Color and light: a guide for the realist painter [i]
  125. () From here to there: a curious collection from the hand drawn map association [i]
  126. () The textility of making [d]
  127. () Ways of mind-walking: reading, writing, painting [d]
  128. () Do lots of deliberate practice [i]
  129. () Visual selection contributes to artists' advantages in realistic drawing [d]
  130. () Automatic blending of multiple perspective views for aesthetic composition [i] [d]
  131. () Framed ink: drawing and composition for visual storytellers [i]
  132. () Art students who cannot draw: exploring the relations between drawing ability, visual memory, accuracy of copying, and dyslexia [d]
  133. () Putting egocentric and allocentric into perspective [i] [d]
  134. () Progressive drawing: a novel 'lid-opener' and 'monotony-breaker' [d]
  135. () Line, shade, and shadow: the fabrication and preservation of architectural drawings [i]
  136. () Students' illustrations of the human nervous system as a formative assessment tool [d]
  137. () Drawing as a generative activity and drawing as a prognostic activity [d]
  138. () Writing as a tool in teaching sketching: implications for architectural design education [d]
  139. () Henry Darger [i]
  140. () Sketchbooks: the hidden art of designers, illustrators & creatives [i]
  141. () Visuomotor characterization of eye movements in a drawing task [d]
  142. () The abduction of geographic information science: transporting spatial reasoning to the realm of purpose and design [i] [d]
  143. () From everyday to scientific observation: how children learn to observe the biologist's world [d]
  144. () Identity affirmation through 'signature style': a study of toy car designers [d]
  145. () Staring: how we look [i]
  146. () Directing the story: professional storytelling and storyboarding techniques for live action and animation [i] [d]
  147. () Imaginative realism: how to paint what doesn't exist [i]
  148. () The map as art: contemporary artists explore cartography [i]
  149. () Vietnam posters: the David Heather collection [i]
  150. () Segmentation and accuracy in copying and drawing: experts and beginners [d]
  151. () Chinese posters: the IISH–Landsberger collections [i]
  152. () Cognitive load and science text comprehension: effects of drawing and mentally imagining text content [d]
  153. () Cartographies of the future: Julie Mehretu's dynamic charting of fluid spaces [d]
  154. () Drawing cartoon faces: a functional imaging study of the cognitive neuroscience of drawing [d]
  155. () Maps as comics, comics as maps [o] [u]
  156. () Design revolution: 100 products that empower people [i]
  157. () Does spatial visualization ability improve after studying technical drawing? [d]
  158. () Predicting the effects of time pressure on design work [d]
  159. () Relational drawings in couple therapy [d]
  160. (/2016) Drawing essentials: a complete guide to drawing [i]
  161. () Drawn to life: 20 golden years of Disney master classes [i] [d]
  162. () Eye–hand strategies in copying complex lines [d]
  163. Julius Wiedemann [ed] () Illustration now! 3 [i]
  164. () Artifice and design: art and technology in human experience [i]
  165. () How to draw stupid and other essentials of cartooning [i]
  166. () Animation unleashed: 100 principles every animator, comic book writer, filmmaker, video artist and game developer should know [i]
  167. () Getting to know one another through drawing [d]
  168. () How shape constancy relates to drawing accuracy [d]
  169. () Where do people draw lines? [d]
  170. Comickers Magazine [ed] () Comickers art 3: write amazing manga stories [i]
  171. Comickers Magazine [ed] () Comickers art 2: create amazing manga characters [i]
  172. Comickers Magazine [ed] () Comickers art: tools and techniques for drawing amazing manga [i]
  173. () Children's processes of drawing from memory: a trans-cultural study in France and Brazil [d]
  174. () Zen architecture: the building process as practice [i]
  175. Steve Garner [ed] () Writing on drawing: essays on drawing practice and research [i]
  176. () An illustrated life: drawing inspiration from the private sketchbooks of artists, illustrators and designers [i]
  177. () Real scientists do it with models: the art of science visualization [d]
  178. () Interpreting urban space through cognitive map sketching and sequence analysis [d]
  179. () Sumi [i]
  180. () An interpretive approach to drawing causal loop diagrams [i] [u]
  181. () The magic easel: twin artists Trevor and Ryan Oakes have invented a new way to draw [u]
  182. Juxtapoz [ed] () Juxtapoz illustration [i]
  183. Christiane Lange-Küttner & Annie Vinter [ed] () Drawing and the non-verbal mind: a life-span perspective [i] [d]
  184. () Proof as a path of light [i] [d]
  185. () Architecture by birds and insects: a natural art [i]
  186. () Studio space: the world's greatest comic illustrators at work [i]
  187. () Spanish in your face!: the only book to match 1,001 smiles, frowns, and gestures to Spanish expressions so you can learn to live the language! [i]
  188. (/2014) How to be an illustrator [i]
  189. () Drawing into abstraction: practices of observation and visualisation in the work of Santiago Ramón y Cajal [d]
  190. () The back of the napkin: solving problems and selling ideas with pictures [i]
  191. () Drawing as conversation: visual encounters with strangers [d]
  192. () Comics stylization from photographs [i] [d]
  193. Marc Treib [ed] () Drawing/thinking: confronting an electronic age [i]
  194. () Outsmarting the liars: the benefit of asking unanticipated questions [d]
  195. () Visual thinking for design [i] [d]
  196. () Why do we keep turning time into space? [i]
  197. () Face to face: the perception of automotive designs [d]
  198. () What's in view for toddlers?: using a head camera to study visual experience [d]
  199. () The impact of working memory limitations on the design process during conceptualization [d]
  200. () Keeping the audience in mind: relationships between symbol production and social cognition [j]
  201. () Drawing and painting plants [i]
  202. () A global history of architecture [i]
  203. () Interview with Toc Fetch [u]
  204. () Tools for ideas: an introduction to architectural design [i]
  205. () Muerte [i]
  206. () Charley Harper: an illustrated life [i]
  207. (/2013) Studio thinking 2: the real benefits of visual arts education [i]
  208. Leonard J. Hopper & Smith Maran Architects [ed] () Landscape architectural graphic standards [i]
  209. () Fantasy art workshop [i]
  210. () Using drawings to elicit nonverbal constructs in experiential personal construct psychotherapy [d]
  211. () Lines: a brief history [i] [d]
  212. () The last great gesture of defiance: a vain attempt to cope with the endless expansion of design software [o]
  213. (/2010) Children and pictures: drawing and understanding [i]
  214. () Thinking animation: bridging the gap between 2D and CG [i]
  215. () Attention for emotional faces under restricted awareness revisited: do emotional faces automatically attract attention? [d]
  216. () Integrating art historical, psychological, and neuroscientific explanations of artists' advantages in drawing and perception [d]
  217. () Drawings vs. narratives: drawing as a tool to encourage verbalization in children whose fathers are drug abusers [d]
  218. () Visual interest in pictorial art during an aesthetic experience [d]
  219. () Working methods: comic creators detail their storytelling and artistic processes [i]
  220. Lynn Margulis, James Corner, & Brian Hawthorne [ed] () Ian McHarg: conversations with students: dwelling in nature [i]
  221. () Julie Mehretu: drawings [i]
  222. () Expressive strategies in drawing are related to age and topic [d]
  223. () Nonverbal techniques in personal construct psychotherapy [d]
  224. () Comparing synthesis strategies of novice graphic designers using digital and traditional design tools [d]
  225. Daisuke Tsutsumi & Vincent Nguyen [ed] (/2008) Out of picture: art from the outside looking in [i]
  226. () The development of context sensitivity in children's graphic copying strategies [d]
  227. Julius Wiedemann [ed] () Illustration now! 2 [i]
  228. Liliana Albertazzi [ed] () Visual thought: the depictive space of perception [i] [d]
  229. () Creating characters with personality [i]
  230. () To sketch or not to sketch?: that is the question [d]
  231. () Sociocultural contexts for the early development of semiotic production [d]
  232. () The influence of expertise level on the visuo-spatial ability: differences between experts and novices in imagery and drawing abilities [d]
  233. () Emotional expression and psychological symptoms: a comparison of writing and drawing [d]
  234. (/2010) Drawing: a complete guide [i]
  235. Comickers Magazine [ed] () Japanese comickers 2 [i]
  236. () Graffiti women: street art from five continents [i]
  237. () The creative license: giving yourself permission to be the artist you truly are [i]
  238. () The science of cycology: failures to understand how everyday objects work [p] [d]
  239. () Your career in animation: how to survive and thrive [i]
  240. () Botanical illustration course [i]
  241. () How designers perceive sketches [d]
  242. () The drawing bible [i]
  243. () Comics destroyer: a picture is a sum of destructions [u]
  244. () Manawa: Pacific heartbeat: a celebration of contemporary Maori & Northwest Coast art [i]
  245. () Supporting young children drawing: developing a role [d]
  246. () Design like you give a damn: architectural responses to humanitarian crisis [i]
  247. () Pencils and photos as tools of communicative research and praxis: analyzing Minga Peru's quest for social justice in the Amazon [d]
  248. () Learner-generated drawing as a strategy for learning from content area text [d]
  249. () Development in the arts: drawing and music [i] [d]
  250. () Drawing on mind's canvas: differences in cortical integration patterns between artists and non-artists [d]
  251. () The viewpoints book: a practical guide to viewpoints and composition [i]
  252. () Children and mothers drawing together: encountering graphic conventions during social interactions [d]
  253. () Following the wrong footsteps: fixation effects of pictorial examples in a design problem-solving task [p] [d]
  254. () Look little, look often: the influence of gaze frequency on drawing accuracy [d]
  255. () Using drawings to assess student perceptions of schoolyard habitats: a case study of reform-based research in the United States [u]
  256. () Sketching in nature [u]
  257. () Direct talkback in computer supported tools for the conceptual stage of design [d]
  258. () Quality without a name [i]
  259. () Drawing distinctions: the varieties of graphic expression [i]
  260. () Drawing from life: the journal as art [i]
  261. () Drawing stories from around the world and a sampling of European handkerchief stories [i]
  262. () The complete guide to perspective [i]
  263. () Reflections on the teaching of drawing in the digital age: attitudes of senior academics in the United Kingdom to the place of drawing tuition on the design curriculum in higher education [d]
  264. () Revolutionary tides: the art of the political poster, 1914–1989 [i]
  265. () When adolescents represent the third dimension: three case studies [d]
  266. (/2010) Art practice as research: inquiry in visual arts [i]
  267. () Contemporary architecture and the digital design process [i]
  268. () Torsten Hägerstrand and social theory [d]
  269. () The promise and practice of learner-generated drawing: literature review and synthesis [d]
  270. () Why pictures look right when viewed from the wrong place [d]
  271. () 3D geovisualization and the structure of visual space [i] [d]
  272. Julius Wiedemann [ed] () Illustration now! [i]
  273. () Making sense of children's drawings [i]
  274. () Why is drawing interesting? [d]
  275. () Creative cognitive process of art making: a field study of a traditional Chinese ink painter [d]
  276. (/2012) The fundamentals of illustration: how to generate ideas, interpret briefs and promote oneself [i]
  277. () Digital illustration: a master class in creative image-making [i]
  278. () Making sense of children's drawings [i]
  279. Anna Held Audette [ed] () 100 creative drawing ideas [i]
  280. () Working without words: exploring the use of cartooning and illustration in organisational capacity building [u]
  281. Carol Diaz-Granados & James Richard Duncan [ed] () The rock-art of eastern North America: capturing images and insight [i]
  282. () The two vistas [d]
  283. () Drawing on education: using drawings to document schooling and support change [d]
  284. () You are here: personal geographies and other maps of the imagination [i]
  285. () Inside the business of illustration [i]
  286. () Home work: handbuilt shelter [i]
  287. () Freehand sketching: an introduction [i]
  288. () Matta: making the invisible visible [i]
  289. () The effects of two-dimensional stimuli and three-dimensional stereoptic stimuli on spatial representation in drawings [d] [j]
  290. () Action in perception [i]
  291. () The art of botanical painting [i]
  292. () Thinking like Einstein: returning to our visual roots with the emerging revolution in computer information visualization [i]
  293. () Pathways to the graphicacy club: the crossroad of home and pre-school [d]
  294. () An insight on designers' sketching activities in traditional versus digital media [d]
  295. () Drawing people: how to portray the clothed figure [i]
  296. () Learning to draw recognizable graphic representations during mother–child interactions [d] [j]
  297. Comickers Magazine [ed] () Japanese comickers [i]
  298. () Revolución!: Cuban poster art [i]
  299. () Visual culture and studio practice [o] [u]
  300. () Hand-drawn worlds = Handgezeichnete Welten [i]
  301. () Responding to the demise of adolescent artmaking: charting the course of adolescent development in an exceptional art classroom [d] [j]
  302. () Everyday matters: a New York diary [i]
  303. Heiko Hecht, Robert Schwartz, & Margaret Atherton [ed] () Looking into pictures: an interdisciplinary approach to pictorial space [i]
  304. () The hand leads the mouth in ontogenesis too [d]
  305. Branko Kolarevic [ed] () Architecture in the digital age: design and manufacturing [i]
  306. () Leonardo da Vinci, master draftsman [i]
  307. () Towards an 'ideal' approach for concept generation [d]
  308. () Painting wildlife in watercolor [i]
  309. () Parasite paradise: a manifesto for temporary architecture and flexible urbanism [i]
  310. () Against ambiguity [in design communication] [d]
  311. () The Hamilton sketch book [i]
  312. () The new drawing on the right side of the brain workbook: guided practice in the five basic skills of drawing [i]
  313. () Briefing illustrators: revisiting the value of sketch images [d]
  314. () The emergence of visually realistic contour in the drawing of the human figure [d]
  315. (/2010) Drawing shortcuts: developing quick drawing skills using today's technology [i]
  316. () Development of understanding of popular graphic art: a study of everyday aesthetics in children, adolescents, and young adults [d]
  317. () Brainsketching and how it differs from brainstorming [d]
  318. () The psychology of graphic images: seeing, drawing, communicating [i]
  319. () Morgan O'Hara: live transmissions: attention and drawing as time-based performance [i]
  320. () The ultimate drawing course: a comprehensive, easy-to-follow guide to drawing [i]
  321. () A cross-cultural study of the development of artistic talent, creativity and giftedness [d]
  322. Jennifer Siegal [ed] () Mobile: the art of portable architecture [i]
  323. () Drawing as a verbally mediated activity: a study of relationships between verbal, motor, and visuospatial skills and drawing in children [d]
  324. () Thinking geometrically: re-visioning space for a multimodal world [i]
  325. () A phenomenographic approach to the meaning of death: a Chinese perspective [d]
  326. (/2013) Complete guide to drawing animals [i]
  327. (/2010) From word to image: storyboarding and the filmmaking process [i]
  328. M. Catherine de Zegher & Mark Wigley [ed] () The activist drawing: retracing situationist architectures from Constant's New Babylon to beyond [i]
  329. () Darger: the Henry Darger collection at the American Folk Art Museum [i]
  330. () Biological drawing: a scientific tool for learning [d]
  331. () Creativity in the design process: co-evolution of problem–solution [d]
  332. () Geometry of design: studies in proportion and composition [i]
  333. () The tenaciously tedious simple stories of a noman [o] [u]
  334. () Frezzato sketchbook [i]
  335. Angus Hyland & Roanne Bell [ed] () Pen and mouse: commercial art and digital illustration [i]
  336. () Jim Henson's designs and doodles: a muppet sketchbook [i]
  337. () Musical notation of non-musical courses [d]
  338. () Artists as experts in visual cognition [d]
  339. () Geometry, drawing, and writing [i] [d]
  340. () A painter's eye movements: a study of eye and hand movement during portrait drawing [d]
  341. () Towards a theory of children's drawing as social practice [d] [j]
  342. () Drawing and showing: helping children to report emotionally laden events [d]
  343. (/2009) The animator's survival kit [i]
  344. () Optics of the human eye [i]
  345. () Digital lighting and rendering [i]
  346. () Decreasing variability in the development of graphic production [d]
  347. () The films of Mike Leigh: embracing the world [i]
  348. () The effect of three different educational approaches on children's drawing ability: Steiner, Montessori and traditional [p] [d]
  349. () Sources of inspiration: a language of design [d]
  350. () How to use your eyes [i]
  351. () Exploring visions: self-monitoring and evaluation processes within the Nepal–UK community forestry project [i] [d]
  352. Galas de México [ed] () La leyenda de los cromos: el arte de los calendarios mexicanos del siglo xx en Galas de México [i]
  353. () The education of an illustrator [i]
  354. () Integration of space syntax into GIS for modelling urban spaces [d]
  355. () The relationship between children's production and comprehension of realism in drawing [d]
  356. (/2003) Keeping a nature journal: discover a whole new way of seeing the world around you [i]
  357. () Proofs without words II: more exercises in visual thinking [i]
  358. () The art of teaching art: a guide for teaching and learning the foundations of drawing-based art [i]
  359. () Drawing as the backbone of visual communication [i]
  360. () The artist's complete guide to figure drawing: a contemporary perspective on the classical tradition [i]
  361. () Uncertainty and sketching behaviour [d]
  362. (/2007) Storyboards: motion in art [i]
  363. (/2013) Information visualization: perception for design [i]
  364. () Learning to draw and drawing to learn [d]
  365. () The self-made tapestry: pattern formation in nature [i]
  366. (/2008) Introduction to two-dimensional design: understanding form and function [i]
  367. () A multiple pathways/multiple endpoints model of graphic development [j]
  368. () What painting is: how to think about oil painting, using the language of alchemy [i]
  369. () The domain of images [i]
  370. () Drawing facilitates children's verbal reports after long delays [d]
  371. () Assessing progression in primary children's map drawing skills [d]
  372. () The thumbnail: a project for teaching a visual shorthand [d] [j]
  373. () The nest: an artist's sketchbook [i]
  374. () Visual-spatial thinking: an aspect of science overlooked by educators [d]
  375. () Open here: the art of instructional design [i]
  376. () The role of abstraction in scientific illustration: implications for pedagogy [d]
  377. () Proportion: science, philosophy, architecture [i]
  378. () Looking for the muse in some of the right places [book review] [d] [j]
  379. () Children of Kronos: what two artists and two cultures did with their childhood art [j]
  380. () View-dependent geometry [i] [d]
  381. () 'Stuckness' in the design studio [d]
  382. () Truth and the visual field [i]
  383. () Custom built: a twenty-year survey of work by Allan Wexler [i]
  384. () Design drawing [i]
  385. Stuart Currie [ed] () Drawing, 1400–1600: invention and innovation [i]
  386. (/2007) Art in motion: animation aesthetics [i]
  387. () The pictorial context dependency of savant artists: a research note [d]
  388. () Visual intelligence: how we create what we see [i]
  389. () Visual language: global communication for the 21st century [i]
  390. () Inattentional blindness [i]
  391. () Matta: tras las huellas de un gigante = following the footsteps of a giant [o]
  392. () Patterns of artistic development in children: comparative studies of talent [i]
  393. () Drawing skills and science concepts in young children: a study of relationships [d] [j]
  394. () Perske pencil portraits, 1971–1990 [i]
  395. () Drawings and the design process: a review of protocol studies in design and other disciplines and related research in cognitive psychology [d]
  396. () Gonzo the art [i]
  397. () Le portrait [i]
  398. () Why can't most people draw what they see? [d]
  399. () Identifying resources from which children advance into pictorial innovation [j]
  400. () A trail through leaves: the journal as a path to place [i]
  401. (/2019) How to make patent drawings [i]
  402. (/2005) The art of comic-book inking [i]
  403. () Zeichnen und Entwerfen = Drawing as design process: courses, themes and projects at the Basel School of Design [i]
  404. () Architectural representation and the perspective hinge [i]
  405. (/2007) Where there is no artist: development drawings and how to use them [i] [d]
  406. () The role of drawing in graphic design and the implications for curriculum planning [d]
  407. (/2010) Cerebus guide to self publishing [i]
  408. () The encyclopedia of illustration techniques [i]
  409. () Beyond words: a guide to drawing out ideas [i]
  410. () Rapid problem-solving with Post-it Notes [i]
  411. () What do architects and students perceive in their design sketches?: a protocol analysis [d]
  412. () Axonometric and oblique drawing: a 3-D construction, rendering and design guide [i]
  413. () The Vilppu drawing manual [o]
  414. () Art and representation: new principles in the analysis of pictures [i]
  415. () Types of child art and alternative developmental accounts: interpreting the interpreters [d]
  416. () Vincent van Gogh's early years as an artist [d]
  417. () Drawing: notes from a teacher [o]
  418. Roy Edward Disney, Joyce Greene, Deborah Reber, & Christian Clark [ed] () Drawing insight: communicating development through animation [i]
  419. (/1999) Information graphics: a comprehensive illustrated reference [i]
  420. () Breve manual para historietistas [with comments by William Stout] [u]
  421. () Design and other types of fixation [d]
  422. () New entries: learning by writing and drawing [i]
  423. () Giant THB parade [i]
  424. () The rage to master: the decisive role of talent in the visual arts [i]
  425. () The effect of drawing on memory performance in young children [d]
  426. () A visual dictionary of architecture [i]
  427. () Will Eisner sketchbook [i]
  428. () The projective cast: architecture and its three geometries [i]
  429. () Sketches of thought [i]
  430. () The designer as a team of one [d]
  431. (/1997) The cartoonist's workbook [i]
  432. () The business of illustration [i]
  433. () Visual thinking for architects and designers: visualizing context in design [i]
  434. () Chinese propaganda posters: from revolution to modernization [i]
  435. () Pictures, people, and power: people-centred visual aids for development [i]
  436. () 'What should I draw today?': sketchbooks in early childhood [d] [j]
  437. () Cartoon animation [i]
  438. () Introduction to botanical art techniques = Botanikaru āto san'yasō o egaku [i]
  439. () From eco-cities to living machines: principles of ecological design [i]
  440. () The encyclopedia of cartooning techniques [i]
  441. () Judging children's drawings as measures of art abilities [d] [j]
  442. () Proofs without words: exercises in visual thinking [i]
  443. () Perspective [i]
  444. () Visual communicating [i]
  445. () Exceptional artistic development: the role of visual thinking [j]
  446. Joy Aquilino [ed] () Art for survival: the illustrator and the environment = der Illustrator und die Umwelt = l'illustrateur et l'environnement [i]
  447. (/2004) Drawing from life [i]
  448. () Drawing your own conclusions: graphic strategies for reading, writing, and thinking [i]
  449. (/2003) The child's creation of a pictorial world [i]
  450. () The illustrator's bible: the complete sourcebook of tips, tricks, and time-saving techniques in oil, alkyd, acrylic, gouache, casein, watercolor, dyes, inks, airbrush, scratchboard, pastel, colored pencil, and mixed media [i]
  451. () Writings = Schriften [i]
  452. () An analysis of drawing programs for early adolescents [d] [j]
  453. () Figure drawing without a model [i]
  454. (/2015) The mechanical design process [i]
  455. () Basic visual concepts and principles for artists, architects, and designers [i]
  456. () Designing your natural house [i]
  457. Olivier Debroise, Elisabeth Sussman, & Matthew Teitelbaum [ed] () El corazón sangrante = The bleeding heart [i]
  458. () The dialectics of sketching [d]
  459. () A life in hand: creating the illuminated journal [i]
  460. () Going beyond words: the art and practice of visual thinking [i]
  461. () Félix Vallotton [i]
  462. Poster Book Collective, South African History Archive [ed] () Images of defiance: South African resistance posters of the 1980s [i]
  463. () Drawing, a creative process [i]
  464. () Effects of visual referents upon representational drawing of the human figure [d] [j]
  465. () Amplifying the mind's eye: sketching and visual cognition [d] [j]
  466. () The brain a geometry engine [d]
  467. () Frog's riddle & other draw-and-tell stories [i]
  468. () The importance of drawing in the mechanical design process [d]
  469. (/1996) Design strategies in architecture: an approach to the analysis of form [i]
  470. (/2011) Complete guide to life drawing [i]
  471. () The illustrator's guide to pen and pencil drawing techniques [i]
  472. (/1994) Aprender a dibujar con el lado derecho del cerebro: curso para aumentar la creatividad y la confianza artística [i]
  473. (/2003) The guild handbook of scientific illustration [i]
  474. () Vision and the art of drawing [i]
  475. () When is an object not an object?: the effect of 'meaning' upon the copying of line drawings [d]
  476. () Rethinking visual literacy: helping pre-literates learn [u]
  477. () The language of visual art: perception as a basis for design [i]
  478. () Native American architecture [i]
  479. () Visual simulation: a user's guide for architects, engineers, and planners [i]
  480. () How can Chinese children draw so well? [j]
  481. (/1994) Cartoons: one hundred years of cinema animation [i]
  482. () To copy or not to copy: a review [d] [j]
  483. () Rethinking visual literacy: research in progress [d]
  484. () A modular network perspective model vs. vectorial models [d] [j]
  485. () Visual thinking: methods for making images memorable [i]
  486. () Principles of two-dimensional form [i]
  487. () Drawing without fear [i]
  488. () Artist outdoors: field sketching in the American West [i]
  489. () The psychology of illustration [i]
  490. () Ink-line sketching [i]
  491. () Principles of traditional animation applied to 3D computer animation [u]
  492. (/2005) Technical drawing [i]
  493. () Varieties of realism: geometries of representational art [i]
  494. () Figure drawing and anatomy for the artist [i]
  495. () The fantasy embeddedness of girls' horse drawings [d] [j]
  496. () How 35 children born between 1724 and 1900 learned to draw [d] [j]
  497. () Designing pictorial symbols [i]
  498. () Scientific illustration: a guide for the beginning artist [i]
  499. (/1993) The ancient tradition of geometric problems [i]
  500. (/2009) Basic perspective drawing: a visual approach [i]
  501. () What is Japanese architecture?: a survey of traditional Japanese architecture [i]
  502. () Manual of graphic techniques 4: for architects, graphic designers, & artists [i]
  503. () Year of the king: an actor's diary and sketchbook [i]
  504. () Visual notes for architects and designers [i]
  505. () Twentieth-Century American drawings: the figure in context [i]
  506. (/1992) Cross-cultural interpretations of cartoons and drawings [i]
  507. () Drawing for designing [d] [j]
  508. (/1995) The art of field sketching [i]
  509. () Ecological constraints on internal representation: resonant kinematics of perceiving, imagining, thinking, and dreaming [d]
  510. () Bioshelters, ocean arks, city farming: ecology as the basis of design [i]
  511. () Manual of graphic techniques 3: for architects, graphic designers, & artists [i]
  512. () Painting and drawing as manifestations of visual perception [d] [j]
  513. () I Leonardo [i]
  514. () Commonsense architecture: a cross-cultural survey of practical design principles [i]
  515. () Perspective in perspective [i]
  516. () Artesanías y técnicas shuar [o]
  517. () Sacred geometry: philosophy and practice [i]
  518. () Manual of graphic techniques 2: for architects, graphic designers, & artists [i]
  519. () Artists in tune with their world: masters of popular art in the Americas and their relation to the folk tradition [i]
  520. (/1996) The complete book of fashion illustration [i]
  521. (/1984) Daybook, the journey of an artist [i]
  522. () The power of limits: proportional harmonies in nature, art, and architecture [i]
  523. () Drawing from action for action: drawing and discussion as a popular research tool [o]
  524. (/1987) A naturalist's sketchbook: pages from the seasons of a year [i]
  525. () Disney animation: the illusion of life [i]
  526. () On mapping the world in a mirror [d]
  527. () How to draw cartoon animation [i]
  528. Terence Dalley [ed] () The complete guide to illustration and design techniques and materials [i]
  529. (/2006) Rapid viz: a new method for the rapid visualization of ideas [i]
  530. (/1986) The naturalist's field journal: a manual of instruction based on a system established by Joseph Grinnell [i]
  531. () Illustrations for development: a manual for cross-cultural communication through illustration and workshops for artists in Africa [o] [u]
  532. (/2001) Graphic thinking for architects & designers [i]
  533. (/1982) Manual del arquitecto descalzo: cómo construir casas y otros edificios [i]
  534. (/2008) The barefoot architect: a handbook for green building [i]
  535. (/1995) Nature drawing: a tool for learning [i]
  536. (/2004) Drawing the sun [o]
  537. () Manual of graphic techniques 1: for architects, graphic designers, & artists [i]
  538. () High contrast [i]
  539. () Notes from the energy underground [i]
  540. (/2004) Graphic idea notebook: a treasury of solutions to visual problems [i]
  541. () The timeless way of building [i]
  542. () To take hold of space: isovists and isovist fields [d]
  543. () Architecture: form, space & order [i]
  544. (/1989) Drawing on the right side of the brain: a course in enhancing creativity and artistic confidence [i]
  545. () Tents: architecture of the nomads [i]
  546. () Figure structure, figure action, and framing in drawings by American and Egyptian children [d] [j]
  547. (/1994) Scientific illustration: a guide to biological, zoological, and medical rendering techniques, design, printing, and display [i]
  548. () Tools and how to use them: an illustrated encyclopedia [i]
  549. () Shelter II [i]
  550. () A pattern language: towns, buildings, construction [i]
  551. (/1981) Graphics and graphic information-processing [i] [d]
  552. () 100 great Chinese posters: recent examples of 'the people's art' from The People's Republic of China [i]
  553. () Draw!: a visual approach to thinking, learning, and communicating [i]
  554. (/2001) Problem seeking: an architectural programming primer [i]
  555. () The prodigious builders: notes toward a natural history of architecture with special regard to those species that are traditionally neglected or downright ignored [i]
  556. () Underground designs [i]
  557. () An iconoclastic view of the imagery sources in the drawings of young people [d] [j]
  558. () Underground [i]
  559. (/1985) Architectural graphics [i]
  560. (/1991) Building construction illustrated [i]
  561. (/1983) The visual and spatial structure of landscapes [i]
  562. (/1981) More other homes and garbage: designs for self-sufficient living [i]
  563. (/2000) Design drawing experiences [i]
  564. (/2001) Conceptual blockbusting: a guide to better ideas [i]
  565. (/1986) Visual messages: an introduction to graphics [i]
  566. (/1983) Animal architecture [i]
  567. (/2001) Design drawing [i]
  568. () In praise of hands: contemporary crafts of the world [i]
  569. () Architecture for the poor: an experiment in rural Egypt [i]
  570. (/1990) Shelter [i]
  571. (/1999) Archigram [i]
  572. (/2006) Ed Emberley's drawing book: make a world [i]
  573. () Artist on the spot [i]
  574. (/1980) Experiences in visual thinking [i]
  575. () The information available in pictures [d] [j]
  576. (/1978) Apuntes porteños [o]
  577. (/1983) The art of drawing [i]
  578. () Lettering as drawing: contour and silhouette [i]
  579. Peter Probyn [ed] () The complete drawing book [i]
  580. () Notations [o]
  581. (/1992) Design with nature [i]
  582. (/2007) A guide to drawing [i]
  583. () The language of drawing [o]
  584. (/2003) Perspective drawing handbook [i]
  585. (/1987) Architecture without architects: a short introduction to non-pedigreed architecture [i]
  586. () India and Southeast Asia [o]
  587. (/1979) A history of engineering drawing [i]
  588. (/1992) Design with climate: bioclimatic approach to architectural regionalism [i]
  589. (/1976) Manual of scientific illustration: with special chapters on photography, cover design, and book manufacturing [o]
  590. () Creative drawing, point and line [i]
  591. () The illustrated book about the Far East [o]
  592. (/2006) The medieval sketchbook of Villard de Honnecourt [i]
  593. (/2008) On the art of drawing [i]
  594. () Cosmic view: the universe in 40 jumps [o]
  595. () The education of an artist [o]
  596. () The shape of content [o]
  597. (/1992) Creative perspective for artists and illustrators [i]
  598. (/1973) The methods of construction of Celtic art [i]
  599. (/1958) Three-dimensional drawing [o]
  600. (/1979) Rockwell on Rockwell: how I make a picture [i]
  601. () How to draw trees: drawing shrubs, trees, and landscapes [o]
  602. (/1977) The geometry of art and life [i]
  603. (/1964) Art & geometry: a study in space intuitions [i]
  604. (/1996) The art of drawing [i]
  605. () Forty illustrators and how they work [o]
  606. () Martha Sawyers, illustrator of oriental lore [o]
  607. (/2011) Figure drawing for all it's worth [i]
  608. (/2006) Cézanne's composition: analysis of his form with diagrams and photographs of his motifs [i]
  609. (/1960) Hawthorne on painting [o]
  610. (/1973) On the rationalization of sight: with an examination of three Renaissance texts on perspective [i]
  611. () Practical applications of dynamic symmetry [o]
  612. (/1948) Architectural drawing: a practical handbook for students and others [o]
  613. (/1967) The elements of dynamic symmetry [i] [u]
  614. (/1968) Pedagogical sketchbook [i] [u]
  615. (/1960) The art spirit: notes, articles, fragments of letters and talks to students, bearing on the concept and technique of picture making, the study of art generally, and on appreciation [i]
  616. () Handbook of nature-study for teachers and parents: based on the Cornell nature-study leaflets, with much additional material and many new illustrations [o] [u]
  617. () Nature study and life [o] [u]
  618. (/1997) Composition: a series of exercises in art structure for the use of students and teachers [i] [u]
  619. (/1972) Picture-writing of the American Indians [i] [u]
  620. (/1997) The elements of drawing [i] [u]
  621. () On isometrical perspective [o] [u]
  622. (/1628) Perspective: contenant la theorie, practique, et instruction fondamentale d'icelle [o] [u]
  623. (/1996) Studies in perspective [i]

Copyright © 2010–2020 Nathan A. Strait (contact me)
14th edition, last updated: 23 February 2020
Statistics: authors, journals, publishers