How to create community art

From Crossing the Sacred Sea [Cruzando el mar sagrado] by Nathan A. Strait

  1. (2017) Open innovation and the core of the engineer's domain [i] [d]
  2. (2017) The creative self: effect of beliefs, self-efficacy, mindset, and identity [i]
  3. (2017) Unifying space and service for makers, entrepreneurs, and digital scholars [d]
  4. (2017) Creating change through arts, culture, and equitable development: a policy and practice primer [o] [u]
  5. (2017) Brief notes on librarian as designer [u]
  6. (2017) Librarians as makers [d]
  7. (2016) Access and express: professional perspectives on public library makerspaces and intellectual freedom [d]
  8. (2016) Mindful makers: question prompts to help guide young peoples' critical technical practices in maker spaces in libraries, museums, and community-based youth organizations [d]
  9. (2016) Public servants: art and the crisis of the common good [i]
  10. (2016) Everyday creative activity as a path to flourishing [d]
  11. (2016) Profit and gift in the digital economy [i] [d]
  12. (2016) The location of creative clusters in non-metropolitan areas: a methodological proposition [d]
  13. (2016) Originals: how non-conformists move the world [i]
  14. (2016) Photography: the abundant art [d]
  15. (2016) Institutional resource centres and design education [d]
  16. (2016) The impact of libraries as creative spaces [o] [u]
  17. (2016) Positive art: artistic expression and appreciation as an exemplary vehicle for flourishing [d]
  18. (2016) The creative system in action: understanding cultural production and practice [i] [d]
  19. (2016) Creativity as co-therapist: the practitioner's guide to the art of psychotherapy [i]
  20. (2016) Becoming ecological citizens: connecting people through performance art, food matter and practices [d]
  21. (2016) Critical making: exploring the use of making as a generative tool [d]
  22. (2016) Toward a #soilpractice + #socialpractice manifesto: ending the art system and restoring aesthetic ecology [u]
  23. (2016) Black is beautiful: a philosophy of black aesthetics [i] [d]
  24. (2016) Emotional cognition in urban planning and design [i] [d]
  25. (2015) The practice of zazen as ritual performance [i]
  26. (2015) Helping members of the community manage their digital lives: developing a personal digital archiving workshop [d]
  27. (2015) Discussing design: improving communication and collaboration through critique [i]
  28. (2015) Making conversation about ethical consumption with followthethings.com [u]
  29. (2015) Urban youth and photovoice: visual ethnography in action [i]
  30. (2015) What to make of makerspaces: tools and DIY only or is there an interconnected information resources space? [d]
  31. (2015) The life of lines [i]
  32. (2015) Innovating minds: rethinking creativity to inspire change [i]
  33. (2015) Imagination in action: secrets for unleashing creative expression [i]
  34. (2015) Artistic development [i] [d]
  35. (2015) Constructing knowledge art: an experiential perspective on crafting participatory representations [i] [d]
  36. (2015) Alternative GIS (alt.gis) and the six senses of the new mind: is alt.gis transforming GIS into a liberation technology? [i] [d]
  37. (2015) Design thinking for life [d]
  38. (2015) Social practice or Trojan horse?: the need for an ethical framework to guide art in the public sphere [d]
  39. (2015) Therapeutic outcomes in a museum? 'You don't get them by aiming for them': how a focus on arts participation promotes inclusion and well-being [d]
  40. (2014) Map art lab: 52 exciting art explorations in mapmaking, imagination, and travel [i]
  41. (2014) MakeAbility: creating accessible makerspace events in a public library [d]
  42. (2014) How do artists learn and what can educators learn from them? [u]
  43. (2014) The therapeutic use of photography in clinical social work: evidence-based best practices [d]
  44. (2014) The role of conversational models in design practice [i] [d]
  45. (2014) Beyond the frustrated self: overcoming avoidant patterns and opening to life [i]
  46. (2014) Rural Studio at twenty: designing and building in Hale County, Alabama [i]
  47. (2014) How to be a better artist [d]
  48. (2014) Linkography: unfolding the design process [i]
  49. (2014) The location patterns of artistic clusters: a metro- and neighborhood-level analysis [d]
  50. (2014) Making and growing: anthropological studies of organisms and artefacts [i]
  51. (2014) Common threads: weaving community through collaborative eco-art [i]
  52. (2014) 'If I am not doing my own playing then I am not able to truly share the gift of play with children': using poststructuralism and care ethics to examine future early childhood educators' relationships with play in adulthood [d]
  53. (2014) Imagination and a pile of junk: a droll history of inventors and inventions [i]
  54. (2014) Four tips on creativity from the creator of Calvin & Hobbes [u]
  55. (2014) Traditional occupations in a modern world: career guidance, livelihood planning, and crafts in the context of globalization [i] [d]
  56. (2014) Creativity—the unconscious foundations of the incubation period [p] [d]
  57. (2014) The art studio as archive: tracing the geography of artistic potentiality, progress and production [d]
  58. (2014) Make it mighty ugly: exercises & advice for getting creative even when it ain't pretty [i]
  59. (2013) Teaching art to teens in public libraries [d]
  60. (2013) The screenwriter activist: writing social issue movies [i]
  61. (2013) Quiet beauty: Japanese gardens of North America [i]
  62. (2013) Evaluating creativity [i] [d]
  63. (2013) Creativity and rationale: enhancing human experience by design [i] [d]
  64. (2013) Psychoanalysis and creativity in everyday life: ordinary genius [i]
  65. (2013) Opening the closed mind: the effect of exposure to literature on the need for closure [d]
  66. (2013) Dune zine and the drawing jam at Café Racer [u]
  67. (2013) Artists reclaim the commons: new works–new territories–new publics [i]
  68. (2013) Making: anthropology, archaeology, art and architecture [i]
  69. (2013) Worthless, impossible, and stupid: how contrarian entrepreneurs create and capture extraordinary value [i]
  70. (2013) 101 design methods: a structured approach for driving innovation in your organization [i]
  71. (2013) Bread and salt: stories of artists and migration [i] [u]
  72. (2013) Achieving both creativity and rationale: reuse in design with images and claims [i] [d]
  73. (2013) New narratives using conversational sculptures [u]
  74. (2013) The potentials of art to involve citizens in regional transitions: exploring a site-specific performance in Haarzuilens, the Netherlands [d]
  75. (2013) I can't stand (for) art [u]
  76. (2013) Catch the fire: an art-full guide to unleashing the creative power of youth, adults and communities [i]
  77. (2013) The extractive arts [u]
  78. (2013) The earth sciences and creative practice: exploring boundaries between digital and material culture [i] [d]
  79. (2012) Design like you give a damn 2: building change from the ground up [i]
  80. (2012) The creativity cure: a do-it-yourself prescription for happiness [i]
  81. (2012) The unity of art and life: the synthesis concept of Fluxus and Zen [u]
  82. (2012) Lives of things [i] [d]
  83. (2012) Communicating ecology through art: what scientists think [d]
  84. (2012) Serene arts: the effect of personal unsettledness and of paintings' narrative structure on personality [d]
  85. (2012) Parallel prototyping leads to better design results, more divergence, and increased self-efficacy [i] [d]
  86. (2012) Museum objects: experiencing the properties of things [i]
  87. (2012) The power of popular education and visual arts for trauma survivors' critical consciousness and collective action [d]
  88. (2012) Counselling, psychotherapy and creativity [d]
  89. (2012) Sculpting solutions: art–science collaborations in sustainability [d]
  90. (2012) Journey women: art therapy in a decolonizing framework of practice [d]
  91. (2012) Playing with race: a theoretical framework and approach for creative arts therapists [d]
  92. (2012) Concrete vs abstract visualisation: the real world as a canvas for data visualisation [i]
  93. (2012) Transformative art: art as means for long-term neurocognitive change [d]
  94. (2012) Convivial design toolbox: generative research for the front end of design [i]
  95. (2012) Designing for social change: strategies for community-based graphic design [i]
  96. (2012) Building community as social action: an art therapy group with adolescent males [d]
  97. (2012) Organizing thoughts and connecting brains: material practices and the transition from individual to group-level prospective sensemaking [d]
  98. (2012) If you want to know who you are, tell me where you are: the importance of places [i] [d]
  99. (2012) How people who are dying or mourning engage with the arts [u]
  100. (2012) Running through a field: performance and humanness [d]
  101. (2012) Seekers and travellers: contemporary art of the Pacific Northwest Coast [i]
  102. (2011) Creative ecologies in action: technology and the workshop-as-artwork [i] [d]
  103. (2011) Environmental art as eco-cultural restoration [i] [d]
  104. (2011) Disciplining the arts: teaching entrepreneurship in context [i]
  105. (2011) Towards creative learning spaces: re-thinking the architecture of post-compulsory education [i]
  106. (2011) Cultural experience in context: sense-making the arts [d]
  107. (2011) Archiving is the new folk art [u]
  108. (2011) Uncreative writing: managing language in the digital age [i]
  109. (2011) Education for socially engaged art: a materials and techniques handbook [i]
  110. (2011) The impact of group drumming on social-emotional behavior in low-income children [d]
  111. (2011) Being alive: essays on movement, knowledge and description [i]
  112. (2011) Impositions of order: a comparison between design and fine art practices [d]
  113. (2011) Desire to inspire: using creative passion to transform the world [i]
  114. (2011) Forum theatre for bystanders: a new model for gender violence prevention [d]
  115. (2011) The new earthwork: art, action, agency [i]
  116. (2011) Art messaging to engage homeless young adults [d]
  117. (2011) The seven secrets of the prolific: the definitive guide to overcoming procrastination, perfectionism, and writer's block [i]
  118. (2011) Edge of life: forest pathology, art [i]
  119. (2011) The luck of the draw: the role of lotteries in decision-making [i]
  120. (2011) John Dewey and the artful life: pragmatism, aesthetics, and morality [i]
  121. (2011) Lifeworld Inc—and what to do about it [d]
  122. (2011) Land matters: landscape photography, culture and identity [i]
  123. (2010) Artistry unleashed: a guide to pursuing great performance in work and life [i]
  124. (2010) Habitat as architecture: integrating conservation planning and human health [d]
  125. (2010) The art of leadership and its fine art shadow [d]
  126. (2010) Making ideas happen: overcoming the obstacles between vision and reality [i]
  127. (2010) Art, memory, and diplomacy: a possible model for community building [d]
  128. (2010) Engaging performance: theatre as call and response [i]
  129. (2010) Evolutionary aesthetics: rethinking the role of function in art and design [d]
  130. (2010) Thinking creatively is thinking critically [d]
  131. (2010) Playing, creativity, possibility [u]
  132. (2010) Apprenticeship patterns: guidance for the aspiring software craftsman [i]
  133. (2010) Orillia's got talent: attracting tourists with nonstop entertainment [u]
  134. (2010) The textility of making [d]
  135. (2010) Permapoesis and artist as family [u]
  136. (2010) Healing dimensions of Somali poetry in response to military humanitarian intervention [d]
  137. (2010) The physical visualization of information: designing data sculptures in an educational context [i] [d]
  138. (2010) Materials and media in art therapy: critical understandings of diverse artistic vocabularies [i]
  139. (2010) Material inspiration: from practice-led research to craft art education [d]
  140. (2010) The adaptive capacity of rural crafts in the face of global challenges [d]
  141. (2010) Social, economic, and political processes that create built environment inequities: perspectives from urban African Americans in Atlanta [p] [d]
  142. (2010) Bamboo canopy: creating new reference-points for the craft of the Kotwalia community in India through sustainability [d]
  143. (2010) Teaching and learning with therapists who work with street children and their families [d]
  144. (2010) Leadership as art: leaders coming to their senses [d]
  145. (2010) The connection between art, healing, and public health: a review of current literature [d]
  146. (2010) The economics of cultural policy [i] [d]
  147. (2009) A/r/tography, secondary theatre teaching, and the Theatre of Possibilities project [d]
  148. (2009) Cartography and art [i] [d]
  149. (2009) Photovoice: a review of the literature in health and public health [d]
  150. (2009) Enabling creative chaos: the organization behind the Burning Man event [i]
  151. (2009) Exploring the helpfulness of arts-based methods with children living in foster care [d]
  152. (2009) A model of the creative process [u]
  153. (2009) Identity affirmation through 'signature style': a study of toy car designers [d]
  154. (2009) Of Minutemen and Rebel Clown Armies: reconsidering transformative citizenship [d]
  155. (2009) Audiences and the arts: communication perspectives [i]
  156. (2009) The unconscious city: how expectancies about creative milieus influence creative performance [i] [d]
  157. (2009) Get real: documentary theatre past and present [i] [d]
  158. (2009) Facilitating youth participation in a context of forced migration: a photovoice project in northern Uganda [d]
  159. (2009) Notes on collaboration: assessing student behaviors [d]
  160. (2009) Expressive therapies continuum: a framework for using art in therapy [i]
  161. (2009) Film collaboration and creative conflict [d]
  162. (2009) The bad and the ugly: ethical concerns in participatory photographic methods with children living and working on the streets of Lima, Peru [d]
  163. (2009) Moving beyond developmental paradigms: a case study and analysis of a TfD workshop in Bangladesh [d]
  164. (2009) Contestatory performative acts in transnational political meetings [d]
  165. (2009) Creating change: using the arts to help stop the stigma of mental illness and foster social integration [d]
  166. (2009) Fanart as craft and the creation of culture [d]
  167. (2009) Milieus of creativity: an interdisciplinary approach to spatiality of creativity [i] [d]
  168. (2009) Lessons learned from the landscape: an integrated approach [d]
  169. (2009) Simulation: Art or science? How to teach it? [d]
  170. (2009) Psychology of liberation: theory and applications [i]
  171. (2009) Design revolution: 100 products that empower people [i]
  172. (2009) Stillness & light: the silent eloquence of Shaker architecture [i]
  173. (2009) Applied theatre: international case studies and challenges for practice [i]
  174. (2009) Images for change: community development, community arts and photography [d]
  175. (2009) Focusing-oriented art therapy: accessing the body's wisdom and creative intelligence [i]
  176. (2009) XS future: new ideas, small structures [i]
  177. (2009) Healing spaces: the science of place and well-being [i]
  178. (2009) Popular arts and education in community-based participatory research (CBPR): on the subtle craft of developing and enhancing channels for clear conversations among CBPR partners [p] [d]
  179. (2009) Walking the line: affectively understanding and communicating the complexity of place [d]
  180. (2009) Toward a more inclusive approach to participation: the varieties of art experiences [i]
  181. (2009) Mirroring and attunement: self realization in psychoanalysis and art [i]
  182. (2008) Artifice and design: art and technology in human experience [i]
  183. (2008) Called to action: environmental restoration by artists [d]
  184. (2008) Expanding architecture: design as activism [i]
  185. (2008) Blogs, Wikipedia, Second life, and beyond: from production to produsage [i]
  186. (2008) The Japanese arts and self-cultivation [i]
  187. (2008) Landscapes of feeling, arenas of action: information visualization as art practice [d]
  188. (2008) Zen architecture: the building process as practice [i]
  189. (2008) Hamming's 'open doors' and group creativity as keys to scientific excellence: the example of Cambridge [d]
  190. (2008) Balance is everything: bicycle messengers, work and leisure [d]
  191. (2008) An artwork does not necessarily need an author; an author does not necessarily need an artwork [u]
  192. (2008) Creativity support systems [i] [d]
  193. (2008) The artist in society: understandings, expectations, and curriculum implications [d]
  194. (2008) Museum origins: readings in early museum history and philosophy [i]
  195. (2008) Finding your inner voice through song: reaching adolescents with techniques common to poetry therapy and music therapy [d]
  196. (2008) The experience of creative activity as a treatment medium [d]
  197. (2008) Art therapy and clinical neuroscience [i]
  198. (2008) Sense of place and sense of planet: the environmental imagination of the global [i]
  199. (2008) Digital visualization as a scholarly activity [d]
  200. (2008) Handbook of the arts in qualitative research: perspectives, methodologies, examples, and issues [i]
  201. (2008) Remix: making art and commerce thrive in the hybrid economy [i]
  202. (2008) Insights into the integration of traditional Filipino arts in art and design education: voices from the academe [d]
  203. (2008) Drawing as conversation: visual encounters with strangers [d]
  204. (2008) Playgrounds, studios and hiding places: emotional exchange in creative learning spaces [d]
  205. (2008) Can visualisation save the world?: lessons for landscape architects from visualizing local climate change [i]
  206. (2008) More mobile: portable architecture for today [i]
  207. (2008) Protestival: global days of action and carnivalized politics in the present [d]
  208. (2008) Art leisure instead of art work: a conversation with Randall Szott [u]
  209. (2008) Experimental geography: radical approaches to landscape, cartography, and urbanism [i]
  210. (2008) Music as social life: the politics of participation [i]
  211. (2008) Unraveling ethics: reflections from a community-based participatory research project with youth [u]
  212. (2008) Toward psychologies of liberation [i] [d]
  213. (2008) Using narrative inquiry to explore the impact of art on individuals [d]
  214. (2008) Attitudes towards globalization and cosmopolitanism: cultural diversity, personal consumption and the national economy [d]
  215. (2007) The worldwide history of dress [i]
  216. (2007) A general theory of artistic legitimation: how art worlds are like social movements [d]
  217. (2007) International handbook of research in arts education [i]
  218. (2007/2010) The critique handbook: the art student's sourcebook and survival guide [i]
  219. (2007) Art, ecology and art education: locating art education in a critical place-based pedagogy [d]
  220. (2007) Creativity and cultural improvisation [i]
  221. (2007) Visual art making for therapist growth and self-care [d]
  222. (2007/2013) Studio thinking 2: the real benefits of visual arts education [i]
  223. (2007) Considering photographs never taken during photo-production projects [d]
  224. (2007) Landscape architectural graphic standards [i]
  225. (2007/2008) Improv encyclopedia [u]
  226. (2007) Art therapy and social action [i]
  227. (2007) The mother of all arts: agrarianism and the creative impulse [i]
  228. (2007) Common ground: cultural action as a route to community development [d]
  229. (2007) Cultural uniqueness and aesthetic cosmopolitanism [d]
  230. (2007) Everyday creativity and new views of human nature: psychological, social, and spiritual perspectives [i]
  231. (2007) Lessons from Bernard Rudofsky: life as a voyage [i]
  232. (2007) Design for the other 90% [i]
  233. (2007) Nonverbal techniques in personal construct psychotherapy [d]
  234. (2007) Thinking with art: from situated knowledge to experiential knowing [d]
  235. (2007) Preferred work patterns of creative artists [d]
  236. (2007) Do it yourself: a handbook for changing our world [i]
  237. (2007) A story of visual cultural and pedagogical webs [i]
  238. (2006) The arts & leadership: now that we can do anything, what will we do? [d]
  239. (2006) Wild fire: art as activism [i]
  240. (2006) A strategic logic for arts marketing: integrating customer value and artistic objectives [d]
  241. (2006) The creative community builder's handbook: how to transform communities using local assets, art, and culture [i]
  242. (2006) Creative arts therapies manual: a guide to the history, theoretical approaches, assessment, and work with special populations of art, play, dance, music, drama, and poetry therapies [i]
  243. (2006) The world in a suitcase: psychosocial support using artwork with refugee children in South Africa [u]
  244. (2006) A Boal companion: dialogues on theatre and cultural politics [i]
  245. (2006) The trouble with (the term) art [d]
  246. (2006) Works of heart: building village through the arts [i]
  247. (2006) Museum philosophy for the twenty-first century [i]
  248. (2006) Art therapy, research and evidence based practice [i]
  249. (2006) New directions in aesthetics, creativity, and the arts [i]
  250. (2006) Insights into participatory video: a handbook for the field [i] [u]
  251. (2006) Color me beautiful: racism, identity formation, and art therapy [d]
  252. (2006) Fresh eyes: for kids in jail, photography opens up a world that's often closing in on them [o]
  253. (2006) País de luz: talleres de fotografía social, TAFOS, Perú 1986–1998 [i]
  254. (2006) Science, art, and experience: constructing a science pedagogy from Dewey's aesthetics [d]
  255. (2006) Resource use, development planning, and safeguarding intangible cultural heritage: lessons from Fiji Islands [u]
  256. (2006) Manawa: Pacific heartbeat: a celebration of contemporary Maori & Northwest Coast art [i]
  257. (2006) Less: alternative living strategies = Strategie alternative dell'abitare [i]
  258. (2006) Design like you give a damn: architectural responses to humanitarian crisis [i]
  259. (2006) Letters to a young artist [i]
  260. (2006) Allan Kaprow, refusal/un-artist, Keith Tilford [u]
  261. (2006) Youth participation in photovoice as a strategy for community change [d]
  262. (2006) The advantages of a rooftop garden and other things [d]
  263. (2006) When walls become doorways: creativity and the transforming illness [i]
  264. (2005) Constructing an artistic identity [d]
  265. (2005) The walking project: desire lines, walking and mapping across continents [u]
  266. (2005) The viewpoints book: a practical guide to viewpoints and composition [i]
  267. (2005) Markets and cultural voices: liberty vs. power in the lives of Mexican Amate painters [i]
  268. (2005) Proceed and be bold: Rural Studio after Samuel Mockbee [i]
  269. (2005) An ecological approach to art education: environmental aesthetics [d]
  270. (2005) The aesthetics of behavioral arrangements [p] [d]
  271. (2005) Do we need new spaces for exhibiting contemporary art?: a critique of curatorial practice in relation to the viewer's engagement with contemporary art [d]
  272. (2005) Bonds of civility: aesthetic networks and the political origins of Japanese culture [i]
  273. (2005) Beginner's guide to community-based arts [i]
  274. (2005) Design denied: the dynamics withholding good design and its ethical implications [i]
  275. (2005) Art teachers and action research [d]
  276. (2005) All over the map: new technology inspires projects that are redefining the artistic landscape [u]
  277. (2005) New practices, new pedagogies: a reader [i]
  278. (2005) Large group interventions: change as theater [d]
  279. (2005) Where women create: inspiring work spaces of extraordinary women [i]
  280. (2005) Artful therapy [i]
  281. (2005) The edifice complex: how the rich and powerful shape the world [i]
  282. (2005/2010) Art practice as research: inquiry in visual arts [i]
  283. (2005) Contemporary architecture and the digital design process [i]
  284. (2005) Invitation to the party: building bridges to the arts, culture, and community [i]
  285. (2004) Authentic or not, it's original [d]
  286. (2004) How to document an event [u]
  287. (2004) A bridge between communities: video-making using principles of community-based participatory research [d]
  288. (2004) Art and advocacy: citizen participation through cultural activism [i]
  289. (2004) Communication and public participation in environmental decision making [i]
  290. (2004) Rap therapy: a practical guide for communicating with youth and young adults through rap music [i]
  291. (2004) Everyday genius: self-taught art and the culture of authenticity [i]
  292. (2004) Poor people's knowledge: promoting intellectual property in developing countries [i]
  293. (2004) In her hands: craftswomen changing the world [i]
  294. (2004) Art nature dialogues: interviews with environmental artists [i]
  295. (2004) Together in rhythm: a facilitator's guide to drum circle music [i]
  296. (2004) Making war with love: the Clandestine Insurgent Rebel Clown Army [d]
  297. (2004) The physical context of creativity [d]
  298. (2004) The hothouse effect: intensify creativity in your organization using secrets from history's most innovative communities [i]
  299. (2004) Cultural industries and the production of culture [i]
  300. (2004) Creative authenticity: 16 principles to clarify and deepen your artistic vision [i]
  301. (2004) Anna Halprin's urban rituals [d]
  302. (2004) Cake decorating as occupation: meaning and motivation [d]
  303. (2004) Presence: exploring profound change in people, organizations, and society [i]
  304. (2004) Action inquiry: the secret of timely and transforming leadership [i]
  305. (2004) No title [on Tehching Hsieh and contemporary art] [i]
  306. (2003) Power and mastery: negotiations in community-based visual art [u]
  307. (2003) Visual culture and studio practice [o] [u]
  308. (2003) Tracing the footprints: documenting the process of performance [i]
  309. (2003) Expressive logic: a new premise in arts advocacy [d]
  310. (2003) Wabi sabi: the Japanese art of impermanence [i]
  311. (2003) Samuel Mockbee and the Rural Studio: community architecture [i]
  312. (2003) Manual for N55 book [i]
  313. (2003) Creativity and reinforced variability [i] [d]
  314. (2003) New geographies of comic book production in North America: the new artisan, distancing, and the periodic social economy [d]
  315. (2003) Designing the world's best exhibits [i]
  316. (2003) Creative license: the art of gestalt therapy [i]
  317. (2003) Developmental trajectories and creative work in late life [i] [d]
  318. (2003) The creative habit: learn it and use it for life: a practical guide [i]
  319. (2003) The perfect wrong note: learning to trust your musical self [i]
  320. (2003) Actors and artists from Amazonia and the Andes [i]
  321. (2003) Of diagrams and rhizomes: visual culture, contemporary art, and the impossibility of mapping the content of art education [d]
  322. (2002) Why are artists poor?: the exceptional economy of the arts [i]
  323. (2002) Wishing for a world without Theatre for Development: demystifying the case of Bangladesh [d]
  324. (2002) Finding the thread of an interrupted conversation: the arts, education, and community [u]
  325. (2002/2005) Postproduction: culture as screenplay: how art reprograms the world [i]
  326. (2002) Rural Studio: Samuel Mockbee and an architecture of decency [i]
  327. (2002) Education of a design entrepreneur [i]
  328. (2002) Ventana hacia el infinito: arte shipibo-conibo [i]
  329. (2002) Is art good for us?: beliefs about high culture in American life [i]
  330. (2002) Mentoring in the art classroom [d]
  331. (2002) Towards a communal body of art: the exquisite corpse and Augusto Boal's theatre [d]
  332. (2002) Home is where the art is: exploring the places people live through art education [d]
  333. (2002) Studio art therapy: cultivating the artist identity in the art therapist [i]
  334. (2002) Leading creative people: orchestrating expertise and relationships [d]
  335. (2002) The leader's edge: six creative competencies for navigating complex challenges [i]
  336. (2002) Mobile: the art of portable architecture [i]
  337. (2002) Hip hop therapy: an exploratory study of a rap music intervention with at-risk and delinquent youth [d]
  338. (2002) The widening stream: the seven stages of creativity [i]
  339. (2002) Thinking geometrically: re-visioning space for a multimodal world [i]
  340. (2002) Tea for two—creating in pairs [i]
  341. (2001) The enchantment of modern life: attachments, crossings, and ethics [i]
  342. (2001/2015) The Sage handbook of action research: participative inquiry and practice [i]
  343. (2001) Artists in rural locales: market access, landscape appeal and economic exigency [d]
  344. (2001) Why art cannot be taught: a handbook for art students [i]
  345. (2001) Community theatre: global perspectives [i]
  346. (2001) The art of life: interview with Herbie Hancock [u]
  347. (2001) The crisis in agriculture is a crisis of culture [u]
  348. (2001) Post-Cagean aesthetics and the 'event' score [j]
  349. (2001) Building a creative hothouse: strategies of history's most creative groups [u]
  350. (2001) Artists, tourists, and the elusive sublime: the artist as tourist, interpreter, and promoter of tourism [u]
  351. (2001) Fabrication: essays on making things and making meaning [i]
  352. (2001) Experience design: a manifesto for the creation of experiences [i]
  353. (2001) Rhizomatic writing [u]
  354. (2001) Theater of the recruits: Boal techniques in the New York Police Academy [u]
  355. (2001) Finding space: Winnicott, God, and psychic reality [i]
  356. (2001) More than a hobby: adult participation in the informal arts [d]
  357. (2001) Photovoice ethics: perspectives from Flint Photovoice [d]
  358. (2001) Creative spirituality: the way of the artist [i]
  359. (2001) WochenKlausur: sociopolitical activism in art [i]
  360. (2000) An existing better world: notes on the Bread and Puppet Theater [i]
  361. (2000) Making culture and weaving the world [i]
  362. (2000) The meaning of leadership in a cultural democracy: rethinking public library values [d]
  363. (2000) Self-mutilation and art therapy: violent creation [i]
  364. (2000/2006) Ethical issues in art therapy [i]
  365. (2000) Meeting the needs of our clients creatively: the impact of art and culture on caregiving [i]
  366. (2000) The quiet in the land: everyday life, contemporary art, and Projeto Axé [d]
  367. (2000) Highs!: over 150 ways to feel really, really good... without alcohol or other drugs [i]
  368. (2000) Learning to think with emotion [u]
  369. (2000) Performing live: aesthetic alternatives for the ends of art [i]
  370. (2000) Becoming oneself [u]
  371. (2000) Movies as equipment for living: a developmental analysis of the importance of film in everyday life [d]
  372. (2000) Scientist and artist within the mature self: the integration of two worlds [i]
  373. (1999) Contemporary practices: art as experience [i]
  374. (1999) Souls grown deep: African American vernacular art of the South [i]
  375. (1999) Intuition and creativity in psychotherapy [d]
  376. (1999) The populist arts movement: altering the face of America [u]
  377. (1999) The philosopher as Andy Warhol [i]
  378. (1999) A case for an art education of everyday aesthetic experiences [d]
  379. (1999/2007) The change handbook: the definitive resource on today's best methods for engaging whole systems [i]
  380. (1999) Storylines: craftartists' narratives of identity [i]
  381. (1999/2007) Visual explorer [i]
  382. (1999) The experience economy: work is theatre & every business a stage [i]
  383. (1999) Contemporary art therapy with adolescents [i]
  384. (1999) How we write: writing as creative design [i]
  385. (1999) The commodification of time in two art worlds [d]
  386. (1999) Custom built: a twenty-year survey of work by Allan Wexler [i]
  387. (1998) The art of life: Dewey's aesthetics [i]
  388. (1998) Creative connections: the healing power of women's art and craft work [d]
  389. (1998) Getting the word out: the artist's guide to self-promotion [i]
  390. (1998) Isolation: artist's friend or foe? [o]
  391. (1998) Art, ecological restoration, and art education [d]
  392. (1998) The citizen artist: 20 years of art in the public arena: an anthology from High performance magazine, 1978-1998 [i]
  393. (1998) Learning to trust and trusting to learn: a role for radical theatre [d]
  394. (1998/2013) The art and science of evaluation in the arts therapies: how do you know what's working? [i]
  395. (1998) Another always thinks in me [i]
  396. (1998) Art education and the aesthetics of land use in the age of ecology [d]
  397. (1998) Tapestry of cultural issues in art therapy [i]
  398. (1998/2005) House of games: making theatre from everyday life [i]
  399. (1998) The quiet in the land: everyday life, contemporary art, and the Shakers: a conversation with Janet A. Kaplan [d]
  400. (1998) The art of service [o]
  401. (1998/2007) The art therapy sourcebook [i]
  402. (1998) Beyond book issues: the social potential of library projects [i]
  403. (1998) Learning development: an introduction to the social impact of public libraries [i]
  404. (1998) Theatre for community, conflict & dialogue: the Hope is Vital training manual [i]
  405. (1998) The healing wisdom of Africa: finding life purpose through nature, ritual, and community [i]
  406. (1998) Photovoice as a participatory health promotion strategy [d]
  407. (1997) Landscape and desire: Bread and Puppet pageants in the 1990s [o]
  408. (1997) Artists as experts: a participatory methodology to produce traditional and popular media [u]
  409. (1997) Voices of color: art and society in the Americas [i]
  410. (1997) The human/land dialectic: anthropic landscapes of the Center for Land Use Interpretation [u]
  411. (1997) The creative arts: an avenue to wellness among Native American Indians [d]
  412. (1997) The art of moral protest: culture, biography, and creativity in social movements [i]
  413. (1997) Giving people a voice rather than a message [u]
  414. (1997) The lure of the local: senses of place in a multicentered society [i]
  415. (1997) Self-made worlds: visionary folk art environments [i]
  416. (1997) Absence of the Buddha image in early Buddhist art: towards its significance in comparative religion [i]
  417. (1996) Teatro legislativo [i]
  418. (1996) O arco-íris do desejo: método Boal de teatro e terapia [i]
  419. (1996/1998) Legislative theatre: using performance to make politics [i]
  420. (1996) Formless: a user's guide [i]
  421. (1996) The information-seeking behavior of artists: exploratory interviews [d]
  422. (1996) Drawing insight: communicating development through animation [i]
  423. (1996/1998) Maintaining humanity: an interview with Grady Hillman about arts-in-corrections [i]
  424. (1996) Justifying work: occupational rhetorics as resources in restaurant kitchens [d]
  425. (1996) Work as art: Idaho logging as an aesthetic moment [i]
  426. (1996) All spirituality comes from artists [i]
  427. (1996) Issues in expressive arts: curriculum for early childhood: an Australian perspective [i]
  428. (1996) Writing as sculpture, 1978–1987 [i]
  429. (1995) Working with the light: women of vision [i]
  430. (1995) Gardens of revelation: environments by visionary artists [i]
  431. (1995) The rainbow of desire: the Boal method of theatre and therapy [i]
  432. (1995) Using an art technique to facilitate leadership development [i]
  433. (1995) But is it art?: the spirit of art as activism [i]
  434. (1995) English is broken here: notes on cultural fusion in the Americas [i]
  435. (1995) Moving toward life: five decades of transformational dance [i]
  436. (1995) Sculpting with the environment: a natural dialogue [i]
  437. (1995) A place in space: ethics, aesthetics, and watersheds: new and selected prose [i]
  438. (1995) The vital role of adaptive grandiosity in artistic creativity [p] [u]
  439. (1994/1998) The cutting edge is enormous: Liz Lerman and Richard Owen Geer [i]
  440. (1994) Development and the arts: critical perspectives [i]
  441. (1994) Professionalism and the visual artist [d]
  442. (1994) Wabi-sabi for artists, designers, poets & philosophers [i]
  443. (1994) Family play therapy [i]
  444. (1994) Playing Boal: theatre, therapy, activism [i]
  445. (1994) Structures of power: toward a theatre of liberation [i]
  446. (1994) Transforming the placebo effect in art therapy [o] [u]
  447. (1994) From eco-cities to living machines: principles of ecological design [i]
  448. (1994) Empowerment through photo novella: portraits of participation [d]
  449. (1994) Interactive acting: acting, improvisation, and interacting for audience participatory theatre [i]
  450. (1993) Toward an art education of place [d]
  451. (1993) Literacy through the book arts [i]
  452. (1993/2003) Essays on the blurring of art and life [i]
  453. (1993/2014) The therapeutic powers of play: 20 core agents of change [i]
  454. (1993) It's about transformation [d]
  455. (1993) Sacred spaces and other places: a guide to grottos and sculptural environments in the Upper Midwest [i]
  456. (1993) Careers and creativity: social forces in the arts [i]
  457. (1993) Imagery & creativity: ethnoaesthetics and art worlds in the Americas [i]
  458. (1992) Art for survival: the illustrator and the environment = der Illustrator und die Umwelt = l'illustrateur et l'environnement [i]
  459. (1992) Art in other places: artists at work in America's community and social institutions [i]
  460. (1992/1995) Chaosmosis: an ethico-aesthetic paradigm [i]
  461. (1992) Nicaraguan poetry workshops: the democratization of poetry [o]
  462. (1992) The craftsperson speaks: artists in varied media discuss their crafts [i]
  463. (1992) The full employment myth: alternative solutions to unemployment [d]
  464. (1992) Art and the environmental crisis: from commodity aesthetics to ecology aesthetics [d]
  465. (1992) Contemplative photography as practice and therapy [u]
  466. (1992) Designing as reflective conversation with the materials of a design situation [d]
  467. (1991) Arts as epistemology: enabling children to know what they know [d]
  468. (1991) Shooting back: a photographic view of life by homeless children [i]
  469. (1990) The practice of the wild: essays [i]
  470. (1990) Passion: discourses on blackwomen's creativity [i]
  471. (1990) When is an artist an artist: an analysis of factors to claiming membership in this profession [d]
  472. (1989) The philanthropic vision: the Owatonna Art Education Project as an example of 'private' interests in public schooling [d]
  473. (1989) To weave and sing: art, symbol, and narrative in the South American rain forest [i]
  474. (1989) Native American architecture [i]
  475. (1988) Lord I'm coming home: everyday aesthetics in Tidewater North Carolina [i]
  476. (1987) The historical genesis of a pure aesthetic [d]
  477. (1987/2001) What is the creative act? [i]
  478. (1987) The artist alone: work-related and social needs: selected findings [d]
  479. (1987) Exploring folk art: twenty years of thought on craft, work, and aesthetics [i]
  480. (1987) Artists in space: a handbook for developing artists' studio space [o]
  481. (1987) The artist as therapist [i]
  482. (1986/1995) Life as a work of art [i]
  483. (1986) What the hell do we want an artist here for? [i]
  484. (1986) In search of artistic excellence: the social construction of artistic values [d]
  485. (1986) Craft today: poetry of the physical [i]
  486. (1986) Democracy is fun [o]
  487. (1986/1995) The knowing body: the artist as storyteller in contemporary performance [i]
  488. (1986) Choices: making an art of everyday life [i]
  489. (1985/2001) Sun, wind & light: architectural design strategies [i]
  490. (1985) Being and circumstance: notes toward a conditional art [i]
  491. (1985) What is Japanese architecture?: a survey of traditional Japanese architecture [i]
  492. (1984/1998) The year of the rope: an interview with Linda Montano & Tehching Hsieh [i]
  493. (1984) Higher creativity: liberating the unconscious for breakthrough insights [i]
  494. (1984) Navajo art and education [d]
  495. (1984) Bioshelters, ocean arks, city farming: ecology as the basis of design [i]
  496. (1984) Personal places: perspectives on informal art environments [i]
  497. (1983) The visual arts and medical education [i]
  498. (1983/2003) The real experiment [i]
  499. (1983) Experience as art: aesthetics in everyday life [i]
  500. (1983) Formal records of the use of time and movement through space: a conceptual and visual series of artworks [d]
  501. (1983) Commonsense architecture: a cross-cultural survey of practical design principles [i]
  502. (1982) Grass roots vanguard [o]
  503. (1982/2008) Art worlds [i]
  504. (1982) The social limits of art [i]
  505. (1982) Artists in tune with their world: masters of popular art in the Americas and their relation to the folk tradition [i]
  506. (1982/2008) Seeing is forgetting the name of the thing one sees: over thirty years of conversations with Robert Irwin [i]
  507. (1981) Drawing from action for action: drawing and discussion as a popular research tool [o]
  508. (1980/1987) A thousand plateaus: capitalism and schizophrenia [i]
  509. (1980/2008) The barefoot architect: a handbook for green building [i]
  510. (1980) Made to measure: children's books in developing countries [i]
  511. (1980) The real work: interviews & talks, 1964–1979 [i]
  512. (1979/1984) Distinction: a social critique of the judgement of taste [i]
  513. (1979) Tents: architecture of the nomads [i]
  514. (1977) 200 exercícios e jogos para o ator e o não-ator com vontade de dizer algo através do teatro [o]
  515. (1977/2002) Games for actors and non-actors [i]
  516. (1977) The prodigious builders: notes toward a natural history of architecture with special regard to those species that are traditionally neglected or downright ignored [i]
  517. (1977) Language and art in the Navajo universe [i]
  518. (1976/1992) The joyless economy: the psychology of human satisfaction [i]
  519. (1974/1975) Teatro do oprimido e outras poéticas políticas [o]
  520. (1974/1979) Theater of the oppressed [i]
  521. (1974) In praise of hands: contemporary crafts of the world [i]
  522. (1974) Otto Rank and the step beyond psychology [o]
  523. (1973) The relevance of ecology [i]
  524. (1973) Architecture for the poor: an experiment in rural Egypt [i]
  525. (1973) The book of highs: 250 ways to alter consciousness without drugs [i]
  526. (1972) A sense of place: the artist and the American land [i]
  527. (1972/1973) Tools for conviviality [i]
  528. (1971/2003) The education of the un-artist [i]
  529. (1971/1984) Design for the real world: human ecology and social change [i]
  530. (1970) Teaching and learning as performing arts = Lehren und Lernen als Auffuehrungskuenste [o]
  531. (1970) Expanded cinema [i]
  532. (1969/1982) Streets for people: a primer for Americans [i]
  533. (1968) The theatre of mixed means: an introduction to happenings, kinetic environments, and other mixed-means performances [o]
  534. (1966) Assemblage, environments & happenings [o]
  535. (1965) A primer of happenings & time/space art [o]
  536. (1964/2000) Grapefruit: a book of instructions & drawings [i]
  537. (1964/1987) Architecture without architects: a short introduction to non-pedigreed architecture [i]
  538. (1963/1992) Design with climate: bioclimatic approach to architectural regionalism [i]
  539. (1962/2001) The immediate experience: movies, comics, theatre & other aspects of popular culture [i]
  540. (1961/1992) The image: a guide to pseudo-events in America [i]
  541. (1957) The education of an artist [o]
  542. (1956) The image: knowledge in life and society [o]
  543. (1951) The dangers of literacy [d]
  544. (1950) The human community: its philosophy and practice for a time of crisis [o]
  545. (1950) The community in art [o]
  546. (1950) Creative training [d]
  547. (1949) Lecture on nothing [i]
  548. (1948/1998) Leisure, the basis of culture; The philosophical act [i]
  549. (1946) The grass roots of art: four lectures on social aspects of art in an industrial age [o]
  550. (1944) Art for daily living: the story of the Owatonna Art Education Project [o] [j]
  551. (1941/2002) To hell with culture: and other essays on art and society [i]
  552. (1940) Community art activities [d]
  553. (1939) Art is action: a discussion of nine arts in a modern world [o]
  554. (1938) Enrichment of the common life [o] [u]
  555. (1935) Art a way of life [o] [u]
  556. (1934) The transformation of nature in art [o]
  557. (1934) Art as experience [i]
  558. (1932/1989) Art and artist: creative urge and personality development [i]
  559. (1923/1960) The art spirit: notes, articles, fragments of letters and talks to students, bearing on the concept and technique of picture making, the study of art generally, and on appreciation [i]
  560. (1914/1957) Productivity and existence [o] [u]
  561. (1890/1968) Fields, factories, and workshops: or, Industry combined with agriculture and brain work with manual work [o] [u]

Copyright © 2010–2017 Nathan A. Strait (contact)
14th edition, last updated: 16 November 2017
Statistics: authors, journals, publishers
http://sea.nathanstrait.com/creating-community-art