How to communicate wordlessly

From Crossing the Sacred Sea [Cruzando el mar sagrado] by Nathan A. Strait

  1. (2018) The toxic sublime: landscape photography and data visualization [d]
  2. (2017) Science, lies and video-taped experiments [d]
  3. (2017) Walk with me [o] [u]
  4. (2017) Digital pictures, videos, and beyond: knowledge acquisition with realistic images [i] [d]
  5. (2017) Shot: 101 survivors of gun violence in America [i]
  6. (2017) Scaling-up camera traps: monitoring the planet's biodiversity with networks of remote sensors [d]
  7. (2016) Ethical requirements and responsibilities in video methodologies: considering confidentiality and representation in social justice research [d]
  8. (2016) Rich pictures: encouraging resilient communities [i]
  9. (2016) Photoethnography in community-based participatory research [i] [d]
  10. (2016) Photoviz: visualizing information through photography [i]
  11. (2016) Overview: a new perspective of earth [i]
  12. (2016) Photography: the abundant art [d]
  13. (2016) Ambition and illustration [u]
  14. (2016) Nonverbal assessment methods [i] [d]
  15. (2015) Embodied cognition and cinema [i]
  16. (2015) Urban youth and photovoice: visual ethnography in action [i]
  17. (2015) The curious nature guide: explore the natural wonders all around you [i]
  18. (2014) Before we eat: from farm to table [i]
  19. (2014) The therapeutic use of photography in clinical social work: evidence-based best practices [d]
  20. (2014) You are here: around the world in 92 minutes [i]
  21. (2014) Where do cinematic ideas come from? [d]
  22. (2014) Bodily maps of emotions [p] [d]
  23. (2014) Staging Zen Buddhism: image creation in contemporary films [d]
  24. (2014) Cultural feelings and the making of meaning [d]
  25. (2014) Towards (re)constructing narratives from georeferenced photographs through visual analytics [d]
  26. (2014) 'Put your fingers right in here': learnability and instructed experience [d]
  27. (2013) How people use rich pictures to help them think and act [d]
  28. (2013) Comic genius: portraits of funny people [i]
  29. (2013) Listen with your eyes: towards a filmic geography [d]
  30. (2013) Transnational ecocinema: film culture in an era of ecological transformation [i]
  31. (2013) Thinking of images as data [i]
  32. (2013) Things come apart: a teardown manual for modern living [i]
  33. (2013) Researching religion: the iconographic elicitation method [d]
  34. (2013) Screening nature: cinema beyond the human [i]
  35. (2013) Synesthetic experiences enhance unconscious learning [d]
  36. (2013) Whiteboard selling: empowering sales through visuals [i]
  37. (2012) Photographic representation and depiction of temporal extension [d]
  38. (2012) A participatory assessment of ecosystem services and human wellbeing in rural Costa Rica using photo-voice [d]
  39. (2012) Are diagrams always helpful tools?: developmental and individual differences in the effect of presentation format on student problem solving [d]
  40. (2012) Experiences of aiding autobiographical memory using the SenseCam [d]
  41. (2012) More than human [i]
  42. (2012) Counseling through images: using photography to guide the counseling process and achieve treatment goals [d]
  43. (2012) Universal accessibility and low-literacy populations: implications for human-computer interaction design and research methods [i] [d]
  44. (2012) Gestures alter thinking about time [i] [u]
  45. (2012) Geospatial images in the acquisition of spatial knowledge for wayfinding [d] [u]
  46. (2012) A world in one cubic foot: portraits in biodiversity [i]
  47. (2012) Lingua digitalis: dictionary for a connected world [i]
  48. (2012) Secrets and lies: involuntary leakage in deceptive facial expressions as a function of emotional intensity [d]
  49. (2012) Photographic truth and evidence [d]
  50. (2012) Apprehending everyday rhythms: rhythmanalysis, time-lapse photography, and the space-times of street performance [d]
  51. (2011) Networks of photos, landmarks, and people [d]
  52. (2011) Conservation photography as environmental education: focus on the pedagogues [d]
  53. (2011) Escalation of images in international conflicts [i] [d]
  54. (2011) Reaching the people: Isotype beyond the West [i]
  55. (2011/2012) Samsara [i] [u]
  56. (2011/2018) The filmmaker's eye: learning (and breaking) the rules of cinematic composition [i]
  57. (2011) Blah blah blah: what to do when words don't work [i]
  58. (2011) Personal photography, digital technologies and the uses of the visual [d]
  59. (2011) Land matters: landscape photography, culture and identity [i]
  60. (2011) About to die: how news images move the public [i]
  61. (2010) You say more than you think: the 7-day plan for using the new body language to get what you want [i]
  62. (2010) Designing with the mind in mind: simple guide to understanding user interface design rules [i]
  63. (2010) Cultural constraints in the design of pictographic symbols [d]
  64. (2010) What I eat: around the world in 80 diets [i]
  65. (2010) Progressive drawing: a novel 'lid-opener' and 'monotony-breaker' [d]
  66. (2010) Things pictures don't tell us: in search of Baltimore [d]
  67. (2009) 6 billion others: portraits of humanity from around the world [i]
  68. (2009) Embodied attentiveness: recognising the language of movement [d]
  69. (2009) Photovoice: a review of the literature in health and public health [d]
  70. (2009) An unorthodox interpretive approach in information systems research: a picture is worth 1000 words [u]
  71. (2009) The bad and the ugly: ethical concerns in participatory photographic methods with children living and working on the streets of Lima, Peru [d]
  72. (2009) Inhabiting the image: photography, therapy and re-enactment phototherapy [d]
  73. (2009) Images for change: community development, community arts and photography [d]
  74. (2009/2014) 3D: history, theory, and aesthetics of the transplane image [i]
  75. (2009) Incorporating photography as a therapeutic tool in counseling [d]
  76. (2009) Explanations in gesture, diagram, and word [i] [d]
  77. (2008) Animation unleashed: 100 principles every animator, comic book writer, filmmaker, video artist and game developer should know [i]
  78. (2008) Crude reflections: oil, ruin and resistance in the Amazon rainforest = Cruda realidad: petróleo, devastación y resistencia en la Amazonía [i]
  79. (2008) Zen architecture: the building process as practice [i]
  80. (2008) The nonverbal advantage: secrets and science of body language at work [i]
  81. (2008) Shivers down your spine: cinema, museums, and the immersive view [i]
  82. (2008) Drawing and the non-verbal mind: a life-span perspective [i] [d]
  83. (2008) Learning with animation: research implications for design [i]
  84. (2008) Race-conscious transnational activists with cameras: mediators of compassion [d]
  85. (2008) Noticing noticing: how does investigation of video records change how teachers reflect on their experiences? [d]
  86. (2008) Facial expressions, babies to teens: a visual reference for artists [i]
  87. (2007) Movement expressiveness, solidarity and the (re)shaping of African American students' scientific identities [d]
  88. (2007) Considering photographs never taken during photo-production projects [d]
  89. (2007) Thinking animation: bridging the gap between 2D and CG [i]
  90. (2007) The Africa book: a journey through every country in the continent [i]
  91. (2007) The Asia book: a journey through every country in the continent [i]
  92. (2007) How to improve your marriage without talking about it: finding love beyond words [i]
  93. (2007/2017) Illustration: a theoretical and contextual perspective [i]
  94. (2007) Scoping the Amazon: image, icon, ethnography [i]
  95. (2007) Grassroots comics: a development communication tool [i] [u]
  96. (2007) Participatory photography as theory, method and praxis: analyzing an entertainment-education project in India [d]
  97. (2007) We are at home: pictures of the Ojibwe people [i] [u]
  98. (2006) Kime and the moving body: somatic codes in Japanese martial arts [d]
  99. (2006) From flawed self-assessment to blatant whoppers: the utility of voluntary and involuntary behavior in detecting deception [d]
  100. (2006) Contact: the yoga of relationship [i]
  101. (2006) Nonverbal communication in close relationships [i]
  102. (2006) Life: a journey through time [i]
  103. (2006) Insights into participatory video: a handbook for the field [i] [u]
  104. (2006) The Sage handbook of nonverbal communication [i]
  105. (2006) Fresh eyes: for kids in jail, photography opens up a world that's often closing in on them [o]
  106. (2006) Transit: around the world in 1424 days [i]
  107. (2006) País de luz: talleres de fotografía social, TAFOS, Perú 1986–1998 [i]
  108. (2006) Pencils and photos as tools of communicative research and praxis: analyzing Minga Peru's quest for social justice in the Amazon [d]
  109. (2006) Lange's antecedents: the emergence of social documentary photography of California's farmworkers [d]
  110. (2006) Our people, our land, our images: international indigenous photographers [i]
  111. (2006) Youth participation in photovoice as a strategy for community change [d]
  112. (2005) The education of a comics artist: visual narrative in cartoons, graphic novels, and beyond [i]
  113. (2005) Natural visions: the power of images in American environmental reform [i]
  114. (2005) Colorful world [i]
  115. (2005) Wordless diagrams [i]
  116. (2005) Hungry planet: what the world eats [i]
  117. (2005) Visual literacy theory [i]
  118. (2005) Studying visual ethics by applying a typology of visual behavior [i]
  119. (2005) Facial expressions: a visual reference for artists [i]
  120. (2005) Handbook of visual communication research: theory, methods, and media [i]
  121. (2005) Thoughtless acts?: observations on intuitive design [i]
  122. (2005) Aesthetics theory [i]
  123. (2004/2006) Pictograms, icons & signs: a guide to information graphics [i]
  124. (2004) Working without words: exploring the use of cartooning and illustration in organisational capacity building [u]
  125. (2004) The lost Amazon: the photographic journey of Richard Evans Schultes [i]
  126. (2004) A field guide to sprawl [i]
  127. (2004) The camera and geographical inquiry [i] [d]
  128. (2004) Lingua universalis = Global wordless understanding [i]
  129. (2004) Animation now!: anima mundi [i]
  130. (2004) Anna Halprin's urban rituals [d]
  131. (2003) Emotions revealed: recognizing faces and feelings to improve communication and emotional life [i]
  132. (2003) World without words [i]
  133. (2003) Research, performance, and doing human geography: some reflections on the diary-photograph, diary-interview method [d]
  134. (2003) Persuasion by design: the state of expertise on visual influence tactics [i]
  135. (2003) The path to Buddha: a Tibetan pilgrimage [i]
  136. (2003) Winged migration [o]
  137. (2003) Persuasive imagery: a consumer response perspective [i]
  138. (2003) Face to face with the bomb: nuclear reality after the Cold War [i]
  139. (2003/2014) Visualization as an alternative to prose [i]
  140. (2002) An empirical reflection on the smile [i]
  141. (2002) Talking about pictures: a case for photo elicitation [d]
  142. (2002) Geobrowsing: creative thinking and knowledge discovery using geographic visualization [d]
  143. (2001/2008) Le souvenir d'un avenir = Remembrance of things to come [o]
  144. (2001/2008) The visual story: creating the structure of film, TV, and digital media [i]
  145. (2001) Journey into the rainforest [i]
  146. (2001) Lingua grafica [i]
  147. (2001) Experience design: a manifesto for the creation of experiences [i]
  148. (2001) Theater games for the lone actor [i]
  149. (2001) Photovoice ethics: perspectives from Flint Photovoice [d]
  150. (2001/2009) The animator's survival kit [i]
  151. (2000) Teaching with your mouth shut [i]
  152. (2000) Jungles [i]
  153. (2000) The skin of the film: intercultural cinema, embodiment, and the senses [i]
  154. (2000) 1000 families: the family album of planet Earth = Das Familienalbum des Planeten Erde [i]
  155. (2000) God is at eye level: photography as a healing art [i]
  156. (1999) The six part story method (6PSM): as an aid in the assessment of personality disorder [d]
  157. (1999) Portraits [i]
  158. (1999) The social context of nonverbal behavior [i]
  159. (1998/2007) Art in motion: animation aesthetics [i]
  160. (1998) Visual language: global communication for the 21st century [i]
  161. (1998) Man eating bugs: the art and science of eating insects [i]
  162. (1998) Image-based research: a sourcebook for qualitative researchers [i]
  163. (1998) Non-interpretive mechanisms in psychoanalytic therapy: the 'something more' than interpretation: the Process of Change Study Group [p]
  164. (1998) Vile bodies: photography and the crisis of looking [i]
  165. (1998) Photovoice as a participatory health promotion strategy [d]
  166. (1998) 'The camera never lies': the partiality of photographic evidence [i]
  167. (1997) The engine of visualization: thinking through photography [i]
  168. (1997) Megadiversity: earth's biologically wealthiest nations [i]
  169. (1997) Beyond words: a guide to drawing out ideas [i]
  170. (1997) Reading faces: window to the soul? [i]
  171. (1996) Women in the material world [i]
  172. (1996) Drawing insight: communicating development through animation [i]
  173. (1995) Moving toward life: five decades of transformational dance [i]
  174. (1995) Children just like me [i]
  175. (1995) Dance and other expressive art therapies: when words are not enough [i]
  176. (1995) Pictures, people, and power: people-centred visual aids for development [i]
  177. (1995) Action theater: the improvisation of presence [i]
  178. (1994) A world without words: the social construction of children born deaf and blind [i]
  179. (1994) Material world: a global family portrait [i]
  180. (1994) Empowerment through photo novella: portraits of participation [d]
  181. (1993) Always getting ready: Upterrlainarluta: Yup'ik Eskimo subsistence in southwest Alaska [i]
  182. (1993/2009) The machinery of life [i]
  183. (1993) Visual communicating [i]
  184. (1992) Magic eyes: scenes from an Andean girlhood [i]
  185. (1992) Spatial knowledge acquisition by children: route learning and relational distances [d]
  186. (1992) Contemplative photography as practice and therapy [u]
  187. (1992) To picture or not to picture: how to decide [u]
  188. (1991) Shooting back: a photographic view of life by homeless children [i]
  189. (1991/1995) A man without words [i]
  190. (1991) Be a mime! [i]
  191. (1990/1994) Audio-vision: sound on screen [i]
  192. (1990) Use of photographs to simulate environments: a meta-analysis [d]
  193. (1990) Creating a character: a physical approach to acting [i]
  194. (1989) Rethinking visual literacy: helping pre-literates learn [u]
  195. (1988) Rethinking visual literacy: research in progress [d]
  196. (1987) Why a diagram is (sometimes) worth ten thousand words [d]
  197. (1987/2006) The theatre of movement and gesture [i]
  198. (1985) Perspectives on silence [i]
  199. (1982) Another way of telling [i]
  200. (1980) Illustrations for development: a manual for cross-cultural communication through illustration and workshops for artists in Africa [o] [u]
  201. (1980) Geography of holiness: the photography of Thomas Merton [i]
  202. (1980/2004) Graphic idea notebook: a treasury of solutions to visual problems [i]
  203. (1980) Exercises in visual thinking [o]
  204. (1979) Images of information: still photography in the social sciences [i]
  205. (1978) Visual literacy in communication: designing for development [i]
  206. (1977) The participatory process: producing photo-literature [i]
  207. (1977/1980) Fotonovelas and comic books: the use of popular graphic media in development [o]
  208. (1976) Communicating with pictures in Nepal [o]
  209. (1975/2010) A seventh man: a book of images and words about the experience of migrant workers in Europe [i]
  210. (1973) Learning 10,000 pictures [p] [d]
  211. (1973/2008) Sight, sound, motion: applied media aesthetics [i]
  212. (1972/1984) Symbol sourcebook: an authoritative guide to international graphic symbols [i]
  213. (1972/2010) Nonverbal communication in human interaction [i]
  214. (1972/1997) Through Navajo eyes: an exploration in film communication and anthropology [i]
  215. (1970/1977) Techniques for producing visual instructional media [i]
  216. (1970/1984) Audio-visual communication handbook [o]
  217. (1967/1986) Visual anthropology: photography as a research method [i]
  218. (1962/1978) Handbook for preparing visual media [i]
  219. (1945/2010) From hieroglyphics to Isotype: a visual autobiography [i]
  220. (1936) International picture language: the first rules of Isotype [o]
  221. (1922) The face of the earth as seen from the air: a study in the application of airplane photography to geography [o] [u]

Copyright © 2010–2018 Nathan A. Strait (contact me)
14th edition, last updated: 6 September 2018
Statistics: authors, journals, publishers