How to color

From Crossing the Sacred Sea [Cruzando el mar sagrado] by Nathan A. Strait

  1. Katherine Graham, Scott Palmer, & Kelli Zezulka [ed] () Contemporary performance lighting: experience, creativity and meaning [i] [d]
  2. () Design in motion: applying design principles to filmmaking [i] [d]
  3. () Perceptual learning: the flexibility of the senses [i] [d]
  4. () The aesthetic animal [i] [d]
  5. () The republic of color: science, perception, and the making of modern America [i] [d]
  6. (/2020) Type & color: how to design and use multicolored typefaces [i]
  7. () Luminous creatures: the history and science of light production in living organisms [i] [j]
  8. () Visual storytelling with color and light [i]
  9. () Re-spatialization of time series plots [d]
  10. () The designer's dictionary of color [i]
  11. () Seeing: how light tells us about the world [i] [d] [j]
  12. () The color of Pixar [i]
  13. (/2019) Animal beauty: on the evolution of biological aesthetics [i] [d]
  14. Marcos Silva [ed] () How colours matter to philosophy [i] [d]
  15. () The secret lives of color [i]
  16. () Making beauty: the wearing of polleras in the Andean Altiplano [u]
  17. () Patterns in nature: why the natural world looks the way it does [i] [d]
  18. () Color science and the visual arts: a guide for conservators, curators, and the curious [i]
  19. () Outside color: perceptual science and the puzzle of color in philosophy [i] [d]
  20. () Partners in print: artistic collaboration and the ukiyo-e market [i] [d] [j]
  21. () Color management & quality output: working with color from camera to display to print [i]
  22. () Adults can be trained to acquire synesthetic experiences [p] [d]
  23. () Visual ecology [i] [d] [j]
  24. () Chromatic algorithms: synthetic color, computer art, and aesthetics after code [i] [d]
  25. Kimberly Jade Norwood [ed] () Color matters: skin tone bias and the myth of a post-racial America [i] [d]
  26. () Color works: an essential guide to understanding and applying color design principles [i]
  27. () The innocent eye: why vision is not a cognitive process [i] [d]
  28. () Systematic biases in adult color perception persist despite lifelong information sufficient to calibrate them [p] [d]
  29. () The animator's eye: adding life to animation with timing, layout, design, color and sound [or: The animator's eye: composition and design for better animation] [i]
  30. () Quantifying the subjective: psychophysics and the geometry of color [d]
  31. (/2014) Green: the history of a color [i]
  32. () Synesthetic experiences enhance unconscious learning [d]
  33. () Color preferences are not universal [p] [d]
  34. () A history of chromolithography: printed colour for all [i]
  35. () Earthen pigments: hand-gathering & using natural color in art [i]
  36. Friedrich G. Barth, Patrizia Giampieri-Deutsch, & Hans-Dieter Klein [ed] () Sensory perception: mind and matter [i] [d]
  37. () Introduction to the senses: from biology to computer science [i] [d]
  38. () The construction of visual reality [i] [d]
  39. () Unraveling the thread of nature's tapestry: the genetics of diversity and convergence in animal pigmentation [d]
  40. Olga F. Lazareva, Toru Shimizu, & Edward A. Wasserman [ed] () How animals see the world: comparative behavior, biology, and evolution of vision [i] [d]
  41. () Architectural colour in the professional palette [i] [d]
  42. () Color in context: psychological context moderates the influence of red on approach- and avoidance-motivated behavior [p] [d]
  43. () A cross-cultural comparison of colour emotion for two-colour combinations [d]
  44. () Color matters: color as trustworthiness cue in web sites [u]
  45. () Creative colours specification based on knowledge (COLorLEGend system) [d]
  46. () Logo colour and differentiation: a new application of environmental colour mapping [d]
  47. () The development and rationale of cross-blended hypsometric tints [d]
  48. () Visual perception from a computer graphics perspective [i] [d]
  49. () Color theory and design [d]
  50. Liliana Albertazzi, Gert J. Van Tonder, & Dhanraj Vishwanath [ed] () Perception beyond inference: the information content of visual processes [i] [d]
  51. Jonathan D. Cohen & Mohan Matthen [ed] () Color ontology and color science [i] [d]
  52. () Color and light: a guide for the realist painter [i]
  53. () Color for the sciences [i]
  54. () Chromatic cinema: a history of screen color [i] [d]
  55. () Colour harmony revisited [d]
  56. () Wednesday is indigo blue: discovering the brain of synesthesia [i]
  57. () What does the honeybee see? And how do we know?: a critique of scientific reason [i] [d] [j]
  58. () Prospects for naturalizing color [d] [j]
  59. () Green guide for artists: nontoxic recipes, green art ideas, & resources for the eco-conscious artist [i]
  60. () Basic hue–meaning associations [d]
  61. () Color imaging: fundamentals and applications [i]
  62. Chandrasekhar Roychoudhuri, Al F. Kracklauer, & Katherine Creath [ed] () The nature of light: what is a photon? [i] [d]
  63. () Fundamentals of digital imaging [i] [d]
  64. () Visual thinking for design [i] [d]
  65. () Color and psychological functioning [d]
  66. () Color design for the color vision impaired [d]
  67. () Nature's palette: the science of plant color [i] [d]
  68. János Schanda [ed] () Colorimetry: understanding the CIE system [i] [d]
  69. () Are you selling the right colour?: a cross-cultural review of colour as a marketing cue [d]
  70. () Operationalizing Kant: manifolds, models, and mathematics in Helmholtz's theories of perception [i] [d]
  71. () Scientific perspectivism [i] [d]
  72. () Color management: a comprehensive guide for graphic designers [i]
  73. () Colorful world [i]
  74. () Introduction to color imaging science [i] [d]
  75. (/2020) Color atlas of medical bacteriology [i] [d]
  76. () The color-coded timeline trauma genogram [d]
  77. () Color realism and color science [and comments and reply] [p] [d]
  78. (/2005) Real world color management: industrial-strength production techniques [i]
  79. () Painting wildlife in watercolor [i]
  80. () Scrivere con la luce = Writing with light [i]
  81. (/2003) Bright earth: art and the invention of color [i]
  82. () Visual color and color mixture: the fundamental color space [i]
  83. E. Bruce Goldstein, Glyn W. Humphreys, Margaret Shiffrar, & William A. Yost [ed] (/2005) Blackwell handbook of sensation and perception [i] [d]
  84. () A history of light and colour measurement: science in the shadows [i]
  85. () Gamuts and globes: the cartography of color [d]
  86. (/2002) Too-blue: colour-patch for an expanded empiricism [i] [d]
  87. (/2007) Storyboards: motion in art [i]
  88. () The quest for reality: subjectivism and the metaphysics of colour [i]
  89. (/2006) Colors: what they mean and how to make them [i]
  90. (/2013) Information visualization: perception for design [i]
  91. (/2010) Wild color: the complete guide to making and using natural dyes [i]
  92. () Color coding [d] [j]
  93. () Vision science: photons to phenomenology [i]
  94. (/2019) Physical properties of materials [i] [d]
  95. () Indigo [i]
  96. () Visual intelligence: how we create what we see [i]
  97. (/2005) Light vision color [i]
  98. Vincent Walsh & Janusz Kulikowski [ed] () Perceptual constancy: why things look as they do [i]
  99. Trevor Lamb & Janine Bourriau [ed] () Colour: art & science [i]
  100. (/2001) Color and light in nature [i]
  101. (/2003) Color chemistry: syntheses, properties, and applications of organic dyes and pigments [i]
  102. () The language of visual art: perception as a basis for design [i]
  103. (/2001) The physics and chemistry of color: the fifteen causes of color [i]
  104. () Colour: why the world isn't grey [i]
  105. (/2017) Sensation and perception [i]
  106. () Colors from the Earth: the artists' guide to collecting, preparing, and using them [i]
  107. () The democratic art: an exhibition on the history of chromolithography in America, 1840–1900 [i]
  108. (/1977) Techniques for producing visual instructional media [i]
  109. (/2013) Art fundamentals: theory and practice [i]
  110. (/2019) Billmeyer and Saltzman's principles of color technology [i] [d]
  111. (/1978) Handbook for preparing visual media [i]
  112. (/2004) The reproduction of colour [i] [d]
  113. (/1974) Art and visual perception: a psychology of the creative eye [i]
  114. (/1956) Measurements of mind and matter [o]
  115. () An introduction to color [o]
  116. (/1954) The nature of light & colour in the open air [i]
  117. (/1979) Chippewa customs [i] [u]
  118. () Colour in nature: a study in biology [o] [u]
  119. Elizabeth Allen & Sophie Triantaphillidou [ed] (/2011) The manual of photography [i]
  120. () The colours of animals: their meaning and use [o] [u]
  121. (/1962) Popular scientific lectures [o]
  122. (/1973) Modern chromatics: with applications to art and industry [i] [u]
  123. () On the theory of compound colours, and the relations of the colours of the spectrum [d]
  124. (/1912) Treatise on light: in which are explained the causes of that which occurs in reflexion, & in refraction, and particularly in the strange refraction of Iceland crystal [o] [u]

Copyright © 2010–2023 Nathan A. Strait (contact me)
14th edition, last updated: 1 February 2024 (view Zotero library on zotero.org)
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URL of this page: http://sea.nathanstrait.com/coloring/