How to color

From Crossing the Sacred Sea [Cruzando el mar sagrado] by Nathan A. Strait

  1. (2017) The designer's dictionary of color [i]
  2. (2017) The color of Pixar [i]
  3. (2017) The secret lives of color [i]
  4. (2016) Color science and the visual arts: a guide for conservators, curators, and the curious [i]
  5. (2015) Outside color: perceptual science and the puzzle of color in philosophy [i]
  6. (2015) Partners in print: artistic collaboration and the ukiyo-e market [i]
  7. (2014) Adults can be trained to acquire synesthetic experiences [d]
  8. (2014) Chromatic algorithms: synthetic color, computer art, and aesthetics after code [i]
  9. (2014) Color matters: skin tone bias and the myth of a post-racial America [i]
  10. (2014) Color works: an essential guide to understanding and applying color design principles [i]
  11. (2014) The innocent eye: why vision is not a cognitive process [i] [d]
  12. (2013) Systematic biases in adult color perception persist despite lifelong information sufficient to calibrate them [p] [d]
  13. (2013) Quantifying the subjective: psychophysics and the geometry of color [d]
  14. (2013/2014) Green: the history of a color [i]
  15. (2013) Synesthetic experiences enhance unconscious learning [d]
  16. (2013) Color preferences are not universal [d]
  17. (2013) Earthen pigments: hand-gathering & using natural color in art [i]
  18. (2012) Introduction to the senses: from biology to computer science [i] [d]
  19. (2012) Unraveling the thread of nature's tapestry: the genetics of diversity and convergence in animal pigmentation [d]
  20. (2012) How animals see the world: comparative behavior, biology, and evolution of vision [i] [d]
  21. (2012) Architectural colour in the professional palette [i]
  22. (2012) Color in context: psychological context moderates the influence of red on approach- and avoidance-motivated behavior [d]
  23. (2012) A cross-cultural comparison of colour emotion for two-colour combinations [d]
  24. (2011) Color matters: color as trustworthiness cue in web sites [u]
  25. (2011) Creative colours specification based on knowledge (COLorLEGend system) [d]
  26. (2011) Logo colour and differentiation: a new application of environmental colour mapping [d]
  27. (2011) The development and rationale of cross-blended hypsometric tints [d]
  28. (2011) Color theory and design [d]
  29. (2010) Perception beyond inference: the information content of visual processes [i]
  30. (2010) Color ontology and color science [i]
  31. (2010) Color and light: a guide for the realist painter [i]
  32. (2010) Color for the sciences [i]
  33. (2010) Chromatic cinema: a history of screen color [i]
  34. (2010) Colour harmony revisited [d]
  35. (2009) Prospects for naturalizing color [d]
  36. (2009) Green guide for artists: nontoxic recipes, green art ideas, & resources for the eco-conscious artist [i]
  37. (2009) Basic hue–meaning associations [d]
  38. (2008) Color imaging: fundamentals and applications [i]
  39. (2008) The nature of light: what is a photon? [i]
  40. (2008) Fundamentals of digital imaging [i] [d]
  41. (2008) Visual thinking for design [i]
  42. (2007) Color and psychological functioning [d]
  43. (2007) Color design for the color vision impaired [d]
  44. (2007) Colorimetry: understanding the CIE system [i] [d]
  45. (2006) Are you selling the right colour?: a cross-cultural review of colour as a marketing cue [d]
  46. (2006) Operationalizing Kant: manifolds, models, and mathematics in Helmholtz's theories of perception [i]
  47. (2006) Scientific perspectivism [i]
  48. (2005) Color management: a comprehensive guide for graphic designers [i]
  49. (2005) Colorful world [i]
  50. (2005) Blackwell handbook of sensation and perception [i]
  51. (2005) Introduction to color imaging science [i] [d]
  52. (2004) The color-coded timeline trauma genogram [d]
  53. (2003) Color realism and color science [d]
  54. (2003/2005) Real world color management: industrial-strength production techniques [i]
  55. (2003) Painting wildlife in watercolor [i]
  56. (2003) Scrivere con la luce = Writing with light [i]
  57. (2001) Visual color and color mixture: the fundamental color space [i]
  58. (2001) A history of light and colour measurement: science in the shadows [i]
  59. (2001) Gamuts and globes: the cartography of color [d]
  60. (2000) Too-blue: colour-patch for an expanded empiricism [i]
  61. (2000/2007) Storyboards: motion in art [i]
  62. (2000) The quest for reality: subjectivism and the metaphysics of colour [i]
  63. (2000/2006) Colors: what they mean and how to make them [i]
  64. (2000/2013) Information visualization: perception for design [i]
  65. (1999/2010) Wild color: the complete guide to making and using natural dyes [i]
  66. (1999) Color coding [d]
  67. (1999/2012) Physical properties of materials [i]
  68. (1998) Indigo [i]
  69. (1998) Visual intelligence: how we create what we see [i]
  70. (1998/2005) Light vision color [i]
  71. (1995) Colour: art & science [i]
  72. (1995/2001) Color and light in nature [i]
  73. (1991/2003) Color chemistry: syntheses, properties, and applications of organic dyes and pigments [i]
  74. (1989) The language of visual art: perception as a basis for design [i]
  75. (1983/2001) The physics and chemistry of color: the fifteen causes of color [i]
  76. (1983) Colour: why the world isn't grey [i]
  77. (1980/2009) Sensation and perception [i]
  78. (1980) Colors from the Earth: the artists' guide to collecting, preparing, and using them [i]
  79. (1970/1977) Techniques for producing visual instructional media [i]
  80. (1962/1978) Handbook for preparing visual media [i]
  81. (1957/2004) The reproduction of colour [i] [d]
  82. (1950/1956) Measurements of mind and matter [o]
  83. (1948) An introduction to color [o]
  84. (1937/1954) The nature of light & colour in the open air [i]
  85. (1929/1979) Chippewa customs [i]
  86. (1898) Colour in nature: a study in biology [o] [u]
  87. (1890/2011) The manual of photography [i]
  88. (1890) The colours of animals: their meaning and use [o] [u]
  89. (1881/1962) Popular scientific lectures [o] [u]
  90. (1879/1973) Modern chromatics: with applications to art and industry [i] [u]
  91. (1860) On the theory of compound colours, and the relations of the colours of the spectrum [d]

Copyright © 2010–2018 Nathan A. Strait (contact)
14th edition, last updated: 17 January 2018
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